Anne Hamilton/Hamilton Dramaturgy


Guest Tweeting for @LMDAmericas This Week

http://www.lmda.org/blog/194

Follow the session at @LMDAmericas!   #genderparity

Anne HamiltonAnne Hamilton is a NYC-based freelance dramaturg and the Founder of Hamilton Dramaturgy, an international consultancy. She holds an MFA from Columbia University School of the Arts, and has worked with Andrei Serban, Michael Mayer, Lynn Nottage, NYMF, Niegel Smith, and Classic Stage Company. She created Hamilton Dramaturgy’s TheatreNow!, and her specialties include new play development, production dramaturgy, new musicals, career advising, advocacy, and oral histories. She was a Bogliasco Foundation Fellow. www.hamiltonlit.com

Questions from LMDA

What is your “focus” for the week?

During the week of March 2-8, 2015, I will tweet about several of the projects I am currently working on, as well as the recent triumphs of the playwrights for whom I have dramaturged. I think it is important to communicate the range of projects and locations that my freelance dramaturg’s practice involves. My projects as a dramaturg this week will include: Volunteering for the musical THE CALICO BUFFALO by EJ Stapleton, Peter Stopschinski in the New York Musical Theatre Festivals Next Link Project (to be produced in NYC in July); Giving feedback to Anita Gonzalez and Richard Allen on their new musical LIVERPOOL TRADING, and leading a Question and Answer session for their reading in the 6th Potpourri World Women Works Series (March 8, 3pm, NYC); and consulting with a first-time screenwriter. I will also list several of the accomplishments and upcoming shows of my dramaturgy clients including: the upcoming NYC production of Jack Karp’s IRREVERSIBLE and Crystal Jackson’s SYNCHRONICITY; and the recent reading of Tom Cavanaugh’s ADAM & YOSHI (directed by Stebos) for Artistic Director Jim Simpson at the Flea Theatre in NYC. Also, for my own development as an emerging playwright, I will be completing tasks for my drama THE SHOEBOX, which is a semi-finalist in Little Black Dress INK’s ONSTAGE PROJECT; and preparing a script for publication in England. Finally, I am waiting to hear some news this week on a couple of matters, so I’m hoping there will be some surprise announcements.

What is your definition of dramaturgy?

I describe myself as a literary and historical advisor to playwrights, directors, producers, and theatre companies.
What is your favorite or dream project?

My favorite project is the one I am working on in the moment. I enjoy a range of activities, from script development, to production dramaturgy, to developing new musicals, to research, to hosting TheatreNow!, to advising young artists on developing their careers. I enjoy learning and taking advantage of new technologies to help broaden the definition and practice of the profession.

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