Anne Hamilton/Hamilton Dramaturgy


I WANT TO RUN AWAY WITH YOU Staged Reading

I am thrilled to announce the staged reading of my one-act play I WANT TO RUN AWAY WITH YOU. It is a part of the Dramatists Guild of America Friday Night Footlights series and will be held on Friday, December 16th from 6-7:30 pm in the Mary Rodgers Room at the Dramatists Guild of America, 1501 Broadway (between 43/44th Sts.), Ste. 701, New York, NY 10036. The staged reading is free. Seats are very limited. Please email me at hamiltonlit@hotmail.com to RSVP.

DECEMBER 16, 2016

“I WANT TO RUN AWAY WITH YOU”

BY

 ANNE HAMILTON

Anne Hamilton’s, “I Want To Run Away With You,”

is an absurdist Fable for our time.

In an East Coast psychiatrist’s office, secrets are revealed,

hearts’ desires are divulged and fulfillment

is offered by the most unexpected players.

“I WANT TO RUN AWAY WITH YOU”

DIRECTED BY
ELLEN BARBER

THE CAST IN SPEAKING ORDER

STAGE DIRECTIONS AND THE FATHER…………….MATTHEW SCHOLES

THE DOCTOR……………………………………………..DAVID KUBICKA*

CLAIRE……………………………………………………..ELLEN BARBER*

NORM………………………………………………………NICHOLAS SATTINGER*

*These Actors are appearing, courtesy of Actors‘ Equity Association.

PRINCIPAL STAGED READING DRAMATURGY BY ELLEN BARBER

ORIGINAL PROCESS DRAMATURGY BY WALTER BYONGSOK CHON

TIME ALLOWING, CONVERSATION IS INVITED WITH THE AUTHOR AFTER THE READING.



BCWJ Profile of Genne Murphy

Here is my latest Bucks County Womens Journal article. Download it Anne Hamilton’s BCWJ Profile of Genne Murphy.

Profile of Genne Murphy

By Anne M. Hamilton, MFA

Genne Murphy is a rising star in the theatre world. Her plays have been developed or produced in Nebraska, Colorado, New York and Connecticut as well as locally. The Azuka Theatre produced HOPE STREET AND OTHER LONELY PLACES.

Recently, she was honored with the Leah Ryan Fund for Emerging Women Writer’s Award for her play GIANTESS at the Lilly Awards, hosted at the Signature Theater in New York City. The Lilly Awards celebrate significant contributions by women to the American theatre, including 2016 honorees Danai Gurira, Jesse Mueller and Martha Plimpton.

Born and raised in Philadelphia, Murphy has been deeply involved as a writer and arts educator since graduating from Central High. Her many local awards and affiliations include the Philadelphia Young Playwrights, PlayPenn, and the Leeway Foundation Transformation Award/Art and Change Grant.

Originally, she says, the idea for GIANTESS came in a dream: “I was trying to pour water into a tiny glass and it was really annoying. Then all of a sudden I realized, ‘OMG I’m a giant!’ I panicked, woke up. [The dream] really stuck with me–that idea of being so discombobulated and feeling extremely uncomfortable in your body. I thought there were a lot of interesting metaphors to explore.”

Described by the Leah Ryan FEWW program as having, “truly singular and theatrical voice,” Murphy will workshop her play with a few closed-door readings at Primary Stages in New York City and New York Stage and Film before the Fund presents a full public reading in the fall.

“GIANTESS starts with a young woman who is taking care of her ailing, disabled grandmother,” says Murphy. “Early on in the play she discovers a girl her own age in the abandoned factory behind her grandmother’s house – a 30-foot tall giantess. They develop a deepening connection to one another in this very fraught and heightened situation.”

Reflecting on her time with Philadelphia Young Playwrights, she states, “My experience, [as] a student, educator, and staff member enabled the idea of revision – the actual work of revision – to be a less scary prospect.”

She holds a bachelor’s degree from NYU’s Tisch School of the Arts and is currently an M.F.A. candidate in playwriting at the Yale School of Drama.

Anne Hamilton has 25 years of experience as a dramaturg. She is available for script consultations and career advising through hamiltonlit@hotmail.com.

 



Great Review of THE ROUTLEDGE COMPANION TO DRAMATURGY

American Theater magazine has given a terrific review to THE ROUTLEDGE COMPANION TO DRAMATURGY, edited by Magda Romanska.

My article, “Freelance Dramaturgs in the Twenty-First Century – Journalists, Advocates, and Curators” garnered praise from the reviewer Philippa Kelly: “One of the book’s highlights is Anne Hamilton’s essay on who dramaturgs are and what they do: cross boundaries, multitask, act as officers of public liaison and conduits for outreach…Hamilton aims to inspire dramaturgs to build confidence in their own creative contributions, and to reach deeper, to act more broadly and boldly.”

I am sending many thanks to Magda for including my chapter in this volume. It has sold out in hardcover, and is now available in paperback for $39.99. (ISBN-13: 978-0415658492, ISBN-10: 0415658497)

http://www.americantheatre.org/2015/07/07/dramaturgs-of-the-world-unite-and-parse-this-text/



Dramaturgy Companion Book Launch January 21st in NYC

On January 21st, I will speak on a panel for a book launch to be held at my alma mater, Columbia University School of the Arts. Please join us!

DramaturgyInThe21stCentury

 



Today at 1pm – DON’T FEED THE INDIANS by Murielle Borst Tarrant

La MaMa Presents Urban Indigenous Arts & Culture Symposium

“Don’t Feed the Indians” –

A Divine Comedy Pageant

Friday November 14, 2014 at 1:00 PM

To see this performance Live on your computer

CLICK HERE: www.culturehub.org/live

Please stay tuned afterward with a discussion with the cast

Watch out when Indian show business meets the Doctrine of Discovery. A raucous play and political satire loosely based on Dante’s Inferno. A comedic look at the negative marginalization of Indigenous Peoples and the appropriation of Indigenous cultural and intellectual property. See what happens when the Indians push back.

Directed and written by:

Murielle Borst-Tarrant (Kuna/Rappahannock), Director “Safe Harbors”

Indigenous Arts/Theater Collective at La MaMa Theatre.

Cast:

Danielle Soames
(Mohawk Kahnawake)

Nic Billey
(Choctaw, Creek, Delaware)

Elizabeth Rolston
(Cherokee, Chippewa)

Murielle Borst-Tarrant
(Kuna Rappahanock)

Henu Josephine Tarrant
(Kuna, Rappahanock, Hopi, Hochunk)

Kevin Tarrant
(Hopi, Hochunk)

Crew:

Choreographer – Nic Billey

Musical Design- Branden Tubby (Choctaw )

Scribe and Production Consultant- Timothy Dorsey

Musical Director- Kevin Tarrant

Costume/set design- Maggie Rice (Pawnee)

Piano and Historical Musical Design- Elizabeth Thunder Bird Haile (Shinnecock) and The Shinnecock Nation Cultural Center and Museum

Production Apprentice- Kimberly Terrance (Mohawk Akwesasne)

Additional Writings:

Danielle Soames

Nic Billey

Henu Josephine Tarrant

Elizabeth Rolston

Tonya Gonnella Frichner based on her preliminary report on the Doctrine of Discovery

La MaMa Theatre in collaboration with the Weesageechak Begins to Dance Festival, Native Earth Performing Arts and First Peoples Fund and the Ford Foundation through a grant from the FPF Our Nations Spaces Program.



TheatreNow! Interview with Murielle Borst Tarrant

Hamilton Dramaturgy’s TheatreNow! is a podcast series featuring some of the most exciting women artists working in the theatre today. Anne Hamilton is the producer and host. You may listen to the podcasts and read the transcripts at http://hamiltondramaturgystheatrenow.com

 Murielle Borst Tarrant

Hamilton Dramaturgy’s TheatreNow!

Interview with Murielle Borst Tarrant

Playwright, Director and Producer

(Season 3, Episode 5, Recorded July 12, 2012)

Hamilton Dramaturgy’s TheatreNow! Interview with Murielle Borst Tarrant

 Anne Hamilton: Welcome to Hamilton Dramaturgy’s TheatreNow! This is a podcast series featuring some of the most exciting female artists working in the theatre today. I’m your host, Anne Hamilton. Today our guest is Murielle Borst Tarrant.

Murielle is a member of the Kuna and Rappahannock Nations. She is an author, playwright, director, producer, cultural artist, educator, and human rights activist. She comes from a long line of cultural activism with her family’s theater company, the world famous Spiderwoman Theater, located in New York City. For four years she served as the Special Assistant and liaison to Tonya Gonnella Frichner, the North American Regional representative to the United Nations Permanent Forum on Indigenous Issues. Finally, she is the director of “Safe Harbors” Indigenous Arts/Theatre Collective at La Mama ETC.

Hamilton Dramaturgy’s TheatreNow! is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of Hamilton Dramaturgy’s TheatreNow! must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

 



breaking walls at the EstroGenius Festival

 

Congratulations to TheatreNow! guest Fran Tarr, who continues to create theatre all over the world.  She has just returned from a working trip to South Africa. A theatre piece written by her young female collaborators with will appear in the EstroGenius Festival this month.

WOMEN SPEAK WORLD LISTEN October 31 2014 nyc

A message from Fran Tarr:

Our Young Women Artists & The EstroGenius Play Festival

An amazing opportunity to showcase the writing and performing talents of our young breaking walls women is happening at the renowned EstroGenius Play Festival on October 31st from 7:00pm to 8:30pm!!!

WOMEN SPEAK/WORLD LISTEN is a one-night theater event written by our young breaking walls women from Brooklyn, Bethlehem, Berlin and Cape Town and will be performed by Helen Beyene, Sofie Walker, Lexie Tompkins, Geri Nikole Love, Maggie Borlando and Margy Love under the direction of Chivonne Michelle.

All proceeds will support our breaking walls 2015 Barcelona initiative – so bring a friend or two, and if you will not be able to join us, please consider making a contribution via EventBrite. Tickets are $25.00 online and $30 (cash only) at the door.

Click here to purchase:



THE DRAMATIST Magazine – Quiara Alegria Hudes on Subject

THE DRAMATIST - Quiara Alegria Hudes on Subject

Congratulations to Hamilton Dramaturgy’s TheatreNow!’s Inaugural Podcast guest Quiara Alegria Hudes. She leads off the cover story of this month’s THE DRAMATIST magazine with an article on “Subject”.



Time to See Donkey Punch

I LOVE Soho Rep!

Works by Women

donkey-punch-960x600

Tonight, Micheline Auger‘s Donkey Punchmakes the rare leap from indie, Off-Off Broadway theater to Off-Broadway theater. Previews begin at Soho Playhouse, the venerable space that launched many playwrights careers (think Albee, Shepard). In this instance, Ivy Theatre, a company dedicated to untold stories and unheard voices, remounts its production of Auger’s audacious, moving play.

Written and directed by women (Auger and director Audrey Alford), Donkey Punch (the piece was formerly known as The Feminism of a Soft Merlot or How the Donkey Got Punched) explores feminism and women’s sexuality with the deftness of French filmmaker Catherine Breillat mixed with a true American sentiment. The play follows two friends at a crossroads in each’s life.

From the press release: In Donkey Punch, uninhibited Kareena delves into monogamy while her uptight best friend, Sam, starts dating a pornographer. In this fast-paced world of sex, shifting relationships…

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HOMEBODIES in Queens, NY April 12th

The New American Voices Festival

@ Queens Theatre

Presents a reading of

Homebodies
Saturday, April 12 – 8pm, in the Studio Theatre
written by Maria Alexandria Beech
Directed by Michelle Bossy

Featuring Olivia Negron*, Claudia Acosta, Cathy Curtain*, Rock Kohli* and Chris Henry Coffee*

A freelance writer and her mother live a quiet and secluded life in New York, except when a frozen chicken and other objects crash on the floor. That’s when a mysterious couple who moved in below knocks on the door. A funny and tender play about life choices and cultural assumptions, with a fascinating group of characters including an ex-lover, an Indian salesman, and a newborn baby.

*member, AEA

To rsvp: http://queenstheatre.org/2013-14-NAV-free-play-reading-series

The Playwright:

Maria Alexandria Beech’s play Infinity Pond, commissioned by Primary Stages and Aspen Theater Masters, was selected for the new Palm Beach Theater Festival. Alex is commissioned to write a play for Teatro Luna in Chicago in 2014, the first play in its Five in Five Series by women playwrights. Her play, Breaking Walls, was produced at The Cherry Lane Theater. Her play, Little Monsters, was produced by Primary Stages and Brandeis Theater Company. Her translation of Eduardo Machado’s The Cook was produced by Stages Theater. Her musical CLASS, with composer Karl Michael Johnson, will be workshopped in Michigan in the summer. Since 2006, Alex has been a member of The Dorothy Strelsin  New American Writers Group at Primary Stages (where she wrote ClassCharity, BondsLittle Monsters, Homebodies, and currently, ISLANDS). She’s also an alum of the Hispanic Playwrights Lab at Intar (Gloria).

Alex earned a BA (cum laude) and Masters in Fine Arts in Playwriting from Columbia University, and a Masters in Fine Arts in Musical Theater Writing from New York University. Her awards include The Aspen Theatre Master’s Visionary Award (2009), and Outstanding New Script Award at the Planet Connections Theater Festivity for What Are You Doing Here(2011). Alex is a member of the Dramatists Guild in New York.

Director:
Michelle Bossy is a New York based director and producer dedicated to bringing new plays to the stage.  She is the Associate Artistic Director of Primary Stages, where she produces new American plays, and where she has also served as Assistant Director, Company Manager, and Artistic Associate. She produced the World Premiere of Dread Awakening and directed and produced the premieres of Un Plugged In (by Brian Pracht); South Beach Rapture (by David Caudle); and Sarajevo’s Child; Cumberland; Low Brow; and Missing Mike Vitelle. Recently, she directed the world premiere of Little Monsters by Maria Alexandria Beech at the Brandeis Theater Company, and High School Confidential for Primary Stages.  She directed developmental readings of Eat Your Heart Out by Courtney Baron (Perry Mansfield New Works Festival), Bicycle Girl by Rogelio Martinez (Repertory Theater of St. Louis), Gloria by Maria Alexandria Beech (EST), Mercy by Adam Szymkowicz, and May Day by Molly Smith Metzler, among many others.  Michelle is the Director of the Dorothy StrelsinNew American Writers Group, where she has worked with over twenty emerging writers. Michelle holds the first undergraduate directing degree from Webster University’s Conservatory of Theatre Arts. She is the Co-Founder and Artistic Director of the Plum Theatre Company. She teaches acting and playwriting for the Einhorn School of Performing Arts (ESPA) and directing for Syracuse University. Member: Lincoln Center Director’s Lab and the League of Professional Theatre Women.