Anne Hamilton/Hamilton Dramaturgy


I WANT TO RUN AWAY WITH YOU Staged Reading

I am thrilled to announce the staged reading of my one-act play I WANT TO RUN AWAY WITH YOU. It is a part of the Dramatists Guild of America Friday Night Footlights series and will be held on Friday, December 16th from 6-7:30 pm in the Mary Rodgers Room at the Dramatists Guild of America, 1501 Broadway (between 43/44th Sts.), Ste. 701, New York, NY 10036. The staged reading is free. Seats are very limited. Please email me at hamiltonlit@hotmail.com to RSVP.

DECEMBER 16, 2016

“I WANT TO RUN AWAY WITH YOU”

BY

 ANNE HAMILTON

Anne Hamilton’s, “I Want To Run Away With You,”

is an absurdist Fable for our time.

In an East Coast psychiatrist’s office, secrets are revealed,

hearts’ desires are divulged and fulfillment

is offered by the most unexpected players.

“I WANT TO RUN AWAY WITH YOU”

DIRECTED BY
ELLEN BARBER

THE CAST IN SPEAKING ORDER

STAGE DIRECTIONS AND THE FATHER…………….MATTHEW SCHOLES

THE DOCTOR……………………………………………..DAVID KUBICKA*

CLAIRE……………………………………………………..ELLEN BARBER*

NORM………………………………………………………NICHOLAS SATTINGER*

*These Actors are appearing, courtesy of Actors‘ Equity Association.

PRINCIPAL STAGED READING DRAMATURGY BY ELLEN BARBER

ORIGINAL PROCESS DRAMATURGY BY WALTER BYONGSOK CHON

TIME ALLOWING, CONVERSATION IS INVITED WITH THE AUTHOR AFTER THE READING.



Dramaturgy Companion Book Launch January 21st in NYC

On January 21st, I will speak on a panel for a book launch to be held at my alma mater, Columbia University School of the Arts. Please join us!

DramaturgyInThe21stCentury

 



Testimonial from Kevin Lawler, GPTC

Anne has worked with GPTC playwrights for several years and has been lauded for her commitment, care and insight. She brings a great body of experience and a love of the theatre to every script that she works on.”

-Kevin Lawler, Artistic Director, Great Plains Theatre Conference, Omaha, Nebraska. USA.

GPTC 2015 IS SET FOR SATURDAY, MAY 23 – SATURDAY, MAY 30, 2015!



WHO’S ANDY WARHOL? on youtube

WATCH HERE – https://www.youtube.com/watch?v=qVUzz0EJq5E

It’s up!  A video of the production of my short play WHO’S ANDY WARHOL?, which was performed at the Lost Theatre in Wandsworth, London on October 24th. This is one of the 10 winning plays from the British Theatre Challenge. the International New Writing Competition by the Sky Blue Theatre Company of Cambridge, England.

WHO’S ANDY WARHOL? portrays a medical crisis which redefines the relationship between two lovers when one contracts transient global amnesia.

I am very happy with the production, especially the actors Chris Towner-Jones as Matt, and Lizzie Stanton as Sarah. What a joy it is to watch my words come to life! I hope that you enjoy this piece produced by Mini Mammoth Films. This is the first of the winning plays to be posted on youtube.

Special thanks to Anne Bartram of Sky Blue, and Rah Petherbridge, the UK-based photographer who took these wonderful stills below.

If you would like to read the play, please contact me at hamiltonlit@hotmail.com. Thank you for watching!

 

©Rah Petherbridge -  Who's Andy Warhol--3

©Rah Petherbridge -  Who's Andy Warhol--6

©Rah Petherbridge -  Who's Andy Warhol--13

©Rah Petherbridge -  Who's Andy Warhol--28



Today at 1pm – DON’T FEED THE INDIANS by Murielle Borst Tarrant

La MaMa Presents Urban Indigenous Arts & Culture Symposium

“Don’t Feed the Indians” –

A Divine Comedy Pageant

Friday November 14, 2014 at 1:00 PM

To see this performance Live on your computer

CLICK HERE: www.culturehub.org/live

Please stay tuned afterward with a discussion with the cast

Watch out when Indian show business meets the Doctrine of Discovery. A raucous play and political satire loosely based on Dante’s Inferno. A comedic look at the negative marginalization of Indigenous Peoples and the appropriation of Indigenous cultural and intellectual property. See what happens when the Indians push back.

Directed and written by:

Murielle Borst-Tarrant (Kuna/Rappahannock), Director “Safe Harbors”

Indigenous Arts/Theater Collective at La MaMa Theatre.

Cast:

Danielle Soames
(Mohawk Kahnawake)

Nic Billey
(Choctaw, Creek, Delaware)

Elizabeth Rolston
(Cherokee, Chippewa)

Murielle Borst-Tarrant
(Kuna Rappahanock)

Henu Josephine Tarrant
(Kuna, Rappahanock, Hopi, Hochunk)

Kevin Tarrant
(Hopi, Hochunk)

Crew:

Choreographer – Nic Billey

Musical Design- Branden Tubby (Choctaw )

Scribe and Production Consultant- Timothy Dorsey

Musical Director- Kevin Tarrant

Costume/set design- Maggie Rice (Pawnee)

Piano and Historical Musical Design- Elizabeth Thunder Bird Haile (Shinnecock) and The Shinnecock Nation Cultural Center and Museum

Production Apprentice- Kimberly Terrance (Mohawk Akwesasne)

Additional Writings:

Danielle Soames

Nic Billey

Henu Josephine Tarrant

Elizabeth Rolston

Tonya Gonnella Frichner based on her preliminary report on the Doctrine of Discovery

La MaMa Theatre in collaboration with the Weesageechak Begins to Dance Festival, Native Earth Performing Arts and First Peoples Fund and the Ford Foundation through a grant from the FPF Our Nations Spaces Program.



TheatreNow! Interview with Murielle Borst Tarrant

Hamilton Dramaturgy’s TheatreNow! is a podcast series featuring some of the most exciting women artists working in the theatre today. Anne Hamilton is the producer and host. You may listen to the podcasts and read the transcripts at http://hamiltondramaturgystheatrenow.com

 Murielle Borst Tarrant

Hamilton Dramaturgy’s TheatreNow!

Interview with Murielle Borst Tarrant

Playwright, Director and Producer

(Season 3, Episode 5, Recorded July 12, 2012)

Hamilton Dramaturgy’s TheatreNow! Interview with Murielle Borst Tarrant

 Anne Hamilton: Welcome to Hamilton Dramaturgy’s TheatreNow! This is a podcast series featuring some of the most exciting female artists working in the theatre today. I’m your host, Anne Hamilton. Today our guest is Murielle Borst Tarrant.

Murielle is a member of the Kuna and Rappahannock Nations. She is an author, playwright, director, producer, cultural artist, educator, and human rights activist. She comes from a long line of cultural activism with her family’s theater company, the world famous Spiderwoman Theater, located in New York City. For four years she served as the Special Assistant and liaison to Tonya Gonnella Frichner, the North American Regional representative to the United Nations Permanent Forum on Indigenous Issues. Finally, she is the director of “Safe Harbors” Indigenous Arts/Theatre Collective at La Mama ETC.

Hamilton Dramaturgy’s TheatreNow! is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of Hamilton Dramaturgy’s TheatreNow! must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

 



Kia Corthron’s Great Plains Theatre Conference Speech

Playwright Kia Corthron gave a terrific speech as the Honored Playwright at the 2014 Great Plains Theatre Conference. We are privileged to post it here. It is a must-read! Thank you so much, Kia.

Download it here: Kia Corthron’s 2014 Great Plains Theatre Conference Speech

GPTC 2014 Honored Playwright Kia Corthron

GPTC 2014 Honored Playwright Kia Corthron

Kia Corthron was awarded a 2014 Windham Campbell Literature Prize. She is a contributing writer of Steel Hammer performed by Anne Bogart’s SITI Company, developed through ATL/Humana 2014 and premiering at the Brooklyn Academy of Music in 2015. Corthron’s Life by Asphyxiation, previously produced by Playwrights Horizons, inaugurated the Public Theater’s Public Forum Drama Club last October.

Other plays include A Cool Dip in the Barren Saharan Crick (Playwrights Horizons coproduction with The Play Company and the Culture Project), Trickle (Ensemble Studio Theatre’s Marathon), Moot the Messenger (Actors Theatre of Louisville’s Humana Festival), Light Raise the Roof (New York Theatre Workshop), Snapshot Silhouette (Minneapolis’ Children’s Theatre), Slide Glide the Slippery Slope (ATL Humana, Mark Taper Forum), The Venus de Milo Is Armed (Alabama Shakespeare Festival), Breath, Boom (London’s Royal Court Theatre, Playwrights Horizons, Yale Repertory Theatre, Huntington Theatre and elsewhere), Force Continuum (Atlantic Theater Company), Splash Hatch on the E Going Down (New York Stage and Film, Baltimore’s Center Stage, Yale Rep, London’s Donmar Warehouse), Seeking the Genesis (Goodman Theatre, Manhattan Theatre Club), Digging Eleven (Hartford Stage Company), Wake Up Lou Riser (Delaware Theatre Company), Come Down Burning (American Place Theatre, Long Wharf Theatre), Cage Rhythm (Sightlines/The Point in the Bronx).

Awards and fellowships include the 2012 Lee Reynolds Award (League of Professional Theatre Women), Rockefeller Foundation’s Bellagio Creative Arts Residency (Italy), Dora Maar Residency (France), MacDowell Colony, Siena Arts Institute Visiting Artist (Italy), Playwrights Center’s McKnight National Residency, Masterwork Productions Award, the Wachtmeister Award, Columbia College/Goodman Theatre Fellowship, Barbara Barondess MacLean Foundation Award, AT&T On Stage Award, Daryl Roth Creative Spirit Award, Mark Taper Forum’s Fadiman Award, National Endowment for the Arts/TCG, Kennedy Center Fund for New American Plays, New Professional Theatre Playwriting Award, Callaway Award, and in television a Writers Guild Outstanding Drama Series Award and Edgar Allan Poe Award for The Wire.

Most recently Kia has written two new plays, Megastasis and Slingshot, and a novel. She currently serves on the Council of the Dramatists Guild, is a member of the Writers Guild of America, and is an alumnus of New Dramatists.