Anne Hamilton/Hamilton Dramaturgy


Anne Hamilton’s Article on 21st Century Freelance Dramaturgy in new international textbook

I am thrilled to announce the publication of my article, “Freelance dramaturgs in the twenty-first century: journalists, advocates, and curators” in the ROUTLEDGE COMPANION TO DRAMATURGY (ISBN: 978-0-415-65849-2,published on July 29, 2014), edited by  Magda Romanska. My chapter is the only one on freelance dramaturgy in the book.

The article details the creation and development of Hamilton Dramaturgy’s TheatreNow!, as well as other tools I have used to utilize technology, cultural interconnectedness, and entrepreneurship to expand the role of the dramaturg in the 21st century.

It appears as the 18th chapter of the book, in the Age of Globalization section. TheatreNow’s Asia Representative Walter Byongsok Chon also contributed a chapter in the same section, entitled, “Intercultural dramaturgy: dramaturg as cultural liaison”.

The volume is available at: http://www.routledge.com/books/details/9780415658492/?utm_source=cms&utm_medium=url&utm_campaign=SBU4_SJC_3RF_8cm_9PER_00000_HBK

THE ROUTLEDGE COMPANION TO DRAMATURGY Edited by Magda Romanska

 

 

 

 

 



THE ROUTLEDGE COMPANION TO DRAMATURGY – Coming soon

I’m very excited that my article, “Freelance Dramaturgs in the 21st Century: Journalists, Advocates and Curators” will appear in this new textbook, edited by Magda Romanska.

cover image

http://www.routledge.com/books/details/9780415658492/

It’s available for pre-order now.

Dramaturgy, in its many forms, is a fundamental and indispensable element of contemporary theatre. In its earliest definition, the word itself means a comprehensive theory of “play making.” Although it initially grew out of theatre, contemporary dramaturgy has made enormous advances in recent years, and it now permeates all kinds of narrative forms and structures: from opera to performance art; from dance and multi-media to filmmaking and robotics.

In our global, mediated context of multi-national group collaborations that dissolve traditional divisions of roles as well as unbend previously intransigent rules of time and space, the dramaturg is also the ultimate globalist: inter-cultural mediator, information and research manager, media content analyst, inter-disciplinary negotiator, social media strategist.

This collection focuses on contemporary dramaturgical practice, bringing together contributions not only from academics but also from prominent working dramaturgs. The inclusion of both means a strong level of engagement with current issues in dramaturgy, from the impact of social media to the ongoing centrality of interdisciplinary and intermedial processes.

The contributions survey the field through eight main lenses:

  • world dramaturgy and global perspective
  • dramaturgy as function, verb and skill
  • dramaturgical leadership and season planning
  • production dramaturgy in translation
  • adaptation and new play development
  • interdisciplinary dramaturgy
  • play analysis in postdramatic and new media dramaturgy
  • social media and audience outreach.

Magda Romanska is Visiting Associate Professor of Slavic Languages and Literatures at Harvard University, Associate Professor of Theatre and Dramaturgy at Emerson College, and Dramaturg for Boston Lyric Opera. Her books include The Post-traumatic Theatre of Grotowski and Kantor(2012), Boguslaw Schaeffer: An Anthology (2012), and Comedy: An Anthology of Theory and Criticism (2014).