Anne Hamilton/Hamilton Dramaturgy

Anne Taught Screenwriting/Playwriting Workshop at Philadelphia Writer’s Conference

I had the pleasure of teaching a scriptwriting workshop at the Philadelphia Writer’s Conference from June 3rd through 5th.  One of the nation’s oldest writing conferences, past instructors have included the great novelist Pearl S. Buck. Close to 200 participants attended. I taught three one-hour sessions to about 25 class members on topics including: dramatic elements, the dramatic form, developing character and storyline, differences in formatting between screenplays and stage plays, the writer’s life, cultivating self-expression, and myths and truths about professional writers. I gave the students several writing exercises in free form expression and writing taglines. I discussed the opening from the screenplay WINTER’S BONE to demonstrate characterization, diction, and tone. Class members read roles in a scene from a terrific comedy written by another participant, and I taught them how to give feedback in an appropriate and constructive manner.  Finally, I read two excerpts from my own work to illustrate the use of imagery and high dramatic stakes – the opening of AND THEN I WENT INSIDE, Part II of  THE STACY PLAY – A LOVE SONG – VOLUME I, and the monologue RED RIBBON TIE, which is part of ANOTHER WHITE SHIRT.

I will be looking for other opportunities to serve as a conference workshop leader. Thank you, PWC.

Here are testimonials from four of my students:

“I had the privilege of attending one of Anne Hamilton’s playwriting workshops at the 2011 Philadelphia Writer’s Conference. As an emerging playwright I found her workshop to be superbly instructive; submission formats and targets for submitting plays were particularly helpful. Her in-class writing exercises and prompts were excellent workshop fuel and her reading from her own piece about the 9/11 attacks was galvanizing. It’s good to know there is a resource like her out there as my portfolio of plays continues to evolve.”

-Lisa S. Lutwyche has a BFA in painting, a BA in Art History, and spent 28 years in corporate and residential architecture and design, teaching creative writing at a community arts center since 1992.  After attending AROHO (A Room of Her Own, a selective, bi-annual women’s writing retreat in New Mexico) in 2009, and a workshop there with playwright Ellen McLaughlin, Lisa started writing plays.  She had her first one-act play, THE FALL, produced in the 2010 Philadelphia Fringe Festival.  A poet, novelist, essayist and playwright, she is currently working on her MFA in Creative Writing through a low residency program at Goddard College in Vermont.

“Anne Hamilton provides an outstanding workshop for aspiring playwrights and screenwriters.  She speaks from a wealth of experience as a playwright and dramaturg and is able to impart her knowledge clearly and in a manner that is helpful to those on every level of proficiency.  Her handouts, which cover key elements of dramatic writing as well as formatting, are useful, plus she excels at establishing a warm, encouraging presence that infuses the insightful critiques of work submitted by members of the workshop.  I strongly recommend her.”

Diana Pazicky, Assistant Professor of English, Temple University

“Anne Hamilton’s recent Playwriting/Screenwriting Workshop at the 2011 Philadelphia Writer’s Conference was intriguing and informative. Her experience as a Dramaturge was put to good use in passing-on solid, technical information on Playwriting, together with “tricks-of-the trade” and some of her own powerful, inspirational writing.”

Nick Lutwyche has nearly 50 years of experience in military aviation engineering and operations,with 25 of those years in Royal Navy aviation including active service. He has had long time involvement in Community Theatre in the UK and the USA, which has helped preserve his sanity. His roles in many venues include  Actor/Back Stage/Front-of-House/Scenery/Construction/Trash-hauling/Lighting. One day he will write that play…

“I had the pleasure of taking Anne Hamilton’s screenwriting workshop at the Philadelphia Writers Conference. Ms. Hamilton offered a wonderful overview of techniques, examples of works and priceless information for breaking into the business. To be honest, I was on the fence as to whether or not I wanted to pursue screenwriting. However, Ms. Hamilton was so encouraging and inspiring that I applied to MFA programs that same day! Her workshop was truly an invaluable experience and easily my favorite of the three day conference.”

Porsha Addison, Aspiring Screenwriter/MFA Student

Hamilton Dramaturgy Press Releases Two New Titles

Hamilton Dramaturgy Press has published two anthologies of plays and poetry. ANOTHER WHITE SHIRT And Other Plays and Poetry is a collection written in 2009. THE STACY PLAY – A LOVE SONG – VOLUME I was written in 2010. I had written such a large number of plays, short plays, monologues, clown plays and poetry, that I decided to publish it as a celebration of my twentieth year working as a dramaturg. The anthologies are available through as paperbacks and Ebooks. I plan to publish one volume of my writing each year as a record of my literary muse.

The great American actress Kathleen Chalfant starred as my character Stacy Lee Madison in a production of AND THEN I WENT INSIDE in 2009. She encouraged me to expand the play, and so I turned it into the full-length THE STACY PLAY – A LOVE SONG – VOLUME I. It has been read and developed in many venues in New York City and Philadelphia.

In addition, I wrote almost twenty short plays and monologues in the last half of 2010, featuring such characters as a 9-point buck  (HEARTSHOT), an aid worker in Darfur (THE ONE), an animal shelter worker with a very long last name (THE HYPHENATA), and a transgendering youth who insists on creating his own identity (PRONOUNS). I also wrote five plays for clowns, four of them starring females.

I hope that you’ll enjoy these editions. Happy reading!

HamiltonLit A Fire in 2010

New! Playwrighting Awards, Guest Appearances, and TheatreNow!

Click Anne Hamilton’s 2010 Accomplishments for a list of successes.

Anne M. Hamilton,  Hamilton Dramaturgy

Established in 1991


Anne HamiltonLit Another Fire in 2010

New! Playwrighting Successes, Guest Appearances, and TheatreNow!


I visited London in January on a League of Professional Theatre Women trip, meeting with UK theatre practitioners and seeing shows. I also spent two days in Oxford, visiting St. Catherine’s College where I studied the philosophy of aesthetics as an undergraduate. I was honored to meet with Roger Ainsworth, Master of St. Catherine’s, as well as some faculty members at New College.

I served as the Co-Secretary of the League of Professional Theatre Women until June, when I resigned to devote more time to TheatreNow! and my own writing. I continued to serve on the Mentoring Committee.

NO PASSPORT accepted me as a member. I read my new short plays MARIA, THE DAY AFTER and THE LAST STONE – OR, THE ADULTERESS SPEAKS FOR HERSELF and the poem, “Haiti Calling” at the Hibernating Rattlesnakes event at the Nuyorican Poets Café  in New York City.

Hamilton Dramaturgy’sTheatreNow! Podcast Series – Season One continued. Interviews included: Quiara Alegria Hudes (Inaugural Podcast), Claire Lautier, Ruth Margraff, Kristin Marting, Valentina Fratti, Catherine Filloux, Yvette Heyliger and Yvonne Farrow.

My profile of Susan Atkinson and the Bristol Riverside Theatre was published in the “Page & Stage” column I co-author in the Bucks County Women’s Journal


I dramaturged a marvelously imaginative hybrid visual theatre piece. The author is a visual artist and I enjoyed helping her to develop her storyline further, scene by scene, and storyboard by storyboard. The playwright’s name is being kept confidential by request.

On March 15th, I read from my full-length work THE STACY PLAY – A LOVE POEM at the Hibernating Rattlesnakes event at the Nuyorican.


“Playwrighting – A Life-Changing Journey” was published in my Page & Stage column. I revealed the process of developing my play AND THEN I WENT INSIDE with Kathleen Chalfant in the starring role.

I visited Gettysburg College to watch THE WINTER’S TALE and write a review of the production’s direction for the Provost’s Office.

I provided an bibliographical spreadsheet of dramaturgy books to a former professor.

I attended a Columbia University Career Development Office event at Low Library as an alumna representing the arts and media sector, and offered guidance to Columbia students.

I portrayed Stacy Lee Madison in AND THEN I WENT INSIDE on March 26th, 27th and 28th at the Green Light Arts debut event at the Shubin Theatre in Philadelphia.

I dramaturged a horror/comedy called ZOMBIE BUNNIES by Alexander Speer.


I had the privilege of sending a stunning new play to all my contacts across the country and abroad. THE TRAGEDY OF MACBETH – PART TWO, THE SEED OF BANQUO is a new blank verse drama by Noah Lukeman. It is bloody, fierce, and engaging. He directed a staged reading of the piece on April 22nd at the Cherry Lane Theatre in NYC.
On April 25th I read a monologue from ANOTHER WHITE SHIRT, my Chamber Play with Dance, Video, Puppets and Original Music, at the Hibernating Rattlesnakes event at the Nuyorican.
My profile of Quiara Alegría Hudes, the Pulitzer Prize-nominated playwright, and bookwriter for IN THE HEIGHTS appeared in three parts between April and September.

I dramaturged a trilogy on spiritual and cultural themes which has been performed in several countries. The playwright’s name is being kept confidential by request.


I dramaturged a new script named CHARLOTTE SOPHIA by Tina Andrews, NAACP Image award for the CBS miniseries “Sally Hemings, An American Scandal”.

I provided dramaturgical and literary management advice to Carolyn Balducci (librettist) and Mira Spektor (composer) for their new chamber opera GIOVANNI THE FEARLESS.

My article, “Maintaining Emotional Fluency through Artistic Expression” appeared on the Open to Hope Foundation’s website on May 29th. It includes an excerpt from AND THEN I WENT INSIDE.

I served as literary manager for BEHOLD by Tom Cavanaugh. It was requested and read by several prominent theatres nationwide.


My plays ANOTHER WHITE SHIRT and THE STACY PLAY – A LOVE SONG – VOLUME I and poem “Gondolier” won places in TRANSITIONS, an international, juried exhibit at Pen and Brush, one of the oldest and most prestigious women’s arts collectives in the US. The exhibit appeared online from June 3rd through September 3rd. I read RED RIBBON TIE, a monologue from ANOTHER WHITE SHIRT, and a monologue from PART III – CODE OF LIFE from THE STACY PLAY at the exhibit’s opening on June 3rd.


Tom Cavanaugh, a long-time client, was given a staged reading of his play BEHOLD at the Utah Shakespearean Festival this summer. The drama, about a family’s disintegration after its son/brother was killed in a Columbine-type school shooting. Its plot hinges upon the very topical subject of peer bullying and violence.

Season One of TheatreNow! completed with a profile of collaborators Yvette Heyliger and Yvonne Farrow, who are also twins.

The Open to Hope Foundation published four of my articles on Healing Through the Arts on its website The series revealed my healing journeys as a writer. “Writing Poetry Helps Thirty Years After Friend’s Death”, published on July 24th, reveals how I discovered my internal soul-shift while writing the poem “Summer Storm”. “Script-writing Helps Her Understand Meaning of Loss”, published on July 28th, includes an excerpt from PART VIII – AND HERE WE ARE from THE STACY PLAY. Finally, “Revisiting Loss 30 Years Later ‘Refreshing,” published on July 30th, includes the new poem, “Room.”

L.A. Theatre Works rebroadcast GOING TO ST. IVES in its Radio Theatre Series on July 24th. I was featured in a web bonus segment speaking about the topic of Mothers and Sons in ST. IVES, OEDIPUS REX, THE GLASS MENAGERIE, and ALL MY SONS. The segment appeared online in July and August.


I was invited to conduct a workshop on playwrighting and screenwriting at the Philadelphia Writers Conference from June 3-5, 2011.

I enjoyed working as a copywriter for the Found Animals website. I reviewed several areas of the site and wrote basic informational copy for this animal welfare organization.

THE STACY PLAY – A LOVE POEM – VOLUME I   placed in the top 100 entries in the Stage Play category of the 79th Annual Writer’s Digest Writing Competition. The play was listed in the December issue of the magazine.

Carrie Robbins’ THE DEATH & LIFE OF DR. CUTTER, which I dramaturged through several incarnations, was read at the Abingdon Theatre.


Broadway legend George Marcy performed his musical play THE BALLAD OF GEORGIE PORGIE (co-written with Bob Goldstone, who also serves as Musical Director) on September 12th at Don’t Tell Mama in NYC. Here are his comments: “Anne Hamilton, with her insight, creativity and knowledge, is responsible for guiding THE BALLAD OF GEORGIE PORGIE to where it is today.” Bravo, George!

Warren Bodow presented a very well-received staged reading at the Abingdon Theatre on September 29th. I served as dramaturg during the development of the play, and then as its literary management representative. Several prominent theatres nationwide requested and read the five-character drama. In April, 2011 enjoyed a full production at the Beowulf Alley Theatre in Tucson, Arizona. Tagline: Do you have to lie to make an honest buck?

Cheryl L. Davis’ SWIMMING UPTOWN, which I dramaturged during development, was also presented in the Abingdon Theatre’s 2010-2011 Staged Reading Series.

I read and evaluated three scripts for Native Voices at the Autry, a play development and production organization in Los Angeles.

I dramaturged a family history by Bob Fumo. I designed and published it for Bob through as THE FUMO/SUOZZO ANCESTRY BOOK.


My play THE DELIVERY appeared in the 2010 Emerging Female Voices Festival on October. This festival featured 21 original works and was produced by the Manhattan Shakespeare Project. My short comedy features a subway car, a maternity ward, and one determined little girl.

On October 19th, NO PASSPORT Theatre Alliance & Press and INTAR presented HIBERNATING RATTLESNAKES: DEMONIOS – An Evening of Demons, Chupacabras . . . and things that go HISS in the night. I read my play THE BREAD OF FORGETFULNESS. Description: A bakery, a Memory Haunting and a writer’s imagination collide over a Pan De Muerto on the Day of the Dead.

The Bucks County Women’s Journal published my article, “Advocacy for Women Playwrights” in my Page & Stage column.


I traveled to the Boston Conservatory of Music to attend a staged reading of the new musical FROM TIME TO TIMBUKTU, with libretto and lyrics by my long-time client Andrew Barrett, and music by Ira Antelis. I provided dramaturgical feedback on this marvelous new musical.

I advised an internationally-known playwright on her application to a leading residency program in Europe this winter. Although she did not receive the fellowship, together we created materials which she will be able to use to apply for other residencies and grants while trying to get support for a new epic play she is writing.

 I dramaturged the musical A SOLDIER’S SONG by James and Joanne Cohen.

 I visited Gettysburg College to watch MY FAIR LADY and write a review of the production’s direction for the Provost’s Office.


Season Two of Hamilton Dramaturgy’s TheatreNow! launched with an interview with Kamilah Forbes, the Artistic Director of the Hip Hop Theatre Festival. Kamilah speaks about her early artistic influences, her professional training, and her process curating the festival.

In preparation for publication, I edited a set of plays by Yvette Heyliger. Her drama WWJD? had a sold-out run at the Billie Holliday Theatre in Brooklyn in December.

Tom Cavanaugh’s DUNG BEETLE is about an agoraphobic scientist.  I dramaturged this play as well as some others by this prolific playwright and screenwriter.

I had the privilege of appearing as a theatrical expert in association with another L.A. Theatre Works NPR broadcast. I spoke on the topic of “Dueling Families” in a web bonus segment which appeared online in December and January. It was in connection with the broadcast of THE LION IN WINTER, starring Kathleen Chalfant and Alfred Molina. I commented on family conflicts in HENRY IV – Parts I and II, MAJOR BARBARA, and CRIMES OF THE HEART.

FROM POINT A TO POINT B was read by Ephraim Lopez at the NO PASSPORT/Hibernating Rattle-snakes/INTAR event in NYC on December 13th.

THE STACY PLAY was developed at Julia’s Reading Room at the home of Julia Miles on December 14th. I directed the reading and read the role of Stacy. Christopher Gliege read the role of Jonathan and Haley Ward read the stage directions. The event was sponsored by the League of Professional Theatre Women.

Selected Dramaturgy client list: Lynn Nottage (Playwright), Michael Mayer (Director), Andrei Serban (Director), Judd Ne’eman (Screenwriter/Filmmaker), Deborah Gregory (Author), Niegel Smith (Director), Noah Lukeman (Author), Classic Stage Company, The Directors Company/The Harold Prince Musical Theatre Institute, The Joseph Papp Public Theater.

Recent Successes: Playwrighting Awards, Anne on The Air, Dramaturgy, and LPTW


  • Two of my plays and a poem have been selected for the juried exhibition TRANSITIONS at Pen and Brush, Inc. in NYC. ANOTHER WHITE SHIRT (play), THE STACY PLAY – A LOVE SONG – VOLUME I (play) and GONDOLIER (poem) are appearing in the virtual exhibit at through September 3rd. I read excerpts from both plays at the exhibition’s opening on June 3rd. THE STACY PLAY – A LOVE SONG – VOLUME I is an expansion of AND THEN I WENT INSIDE, premiered by Kathleen Chalfant at the Cherry Lane Theatre last November. Thank you, Pen and Brush. I am truly honored.
  • As a playwright member of NO PASSPORT, an unincorporated theatre alliance and press, I have read from my work in our monthly HIBERNATING RATTLESNAKES event. Plays include: ANOTHER WHITE SHIRT, THE STACY PLAY, as well as TYRONE’S SLIDE RIDE, a short, humorous/dangerous tale of gentrification in Brooklyn. Please join us at future HR events at the Nuyorican Poets Café, 236. E. 3rd Street (Avenues B/C) in NYC ( admission is $5.

Anne On the Air

  • My blog features TheatreNow! podcasts as well as my columns on Healing through the Arts for and interviews given to various stations.
  • On June 24th, I served as a guest commentator for the upcoming L.A. Theatreworks audio presentation of Lee Blessing’s GOING TO ST. IVES. The topic was Mothers and Sons in Blessing’s play, OEDIPUS REX, THE GLASS MENAGERIE and ALL MY SONS. The segment will be aired on NPR as a companion piece to the rebroadcast of the play, set for July 24th. Check my blog and website for the exact times and member station call numbers.

L.A. Theatreworks has a large catalog of audio recordings of important plays performed by leading actors. Its website is a terrific resource at

  • I launched the audio podcast series TheatreNow!, an oral history of leading American female theatre artists, at . The inaugural segment features playwright and librettist Quiara Allegria Hudes, who wrote ELIOTT, A SOLDIER’S FUGUE, and the libretto for IN THE HEIGHTS (2008 Tony Award winner for Best Musical, and 2009 Pulitzer Prize for Drama nominee). Please listen to additional guests already online including: Ruth Margraff, Claire Lautier, Valentina Fratti, and Catherine Filloux, Yvette Heyliger, and Yvonne Farrow.  Upcoming guests include:  Lynn Nottage, Anne Kauffman, Kamilah Forbes,  and Maria Alexandria Beech.


  • I served as a script development consultant to Tina Andrews for her groundbreaking period drama CHARLOTTE SOPHIA, about the wife of King George III. Please see the Testimonials section for Tina’s comments on this wonderful collaboration.
  • I am currently approaching theatres hoping to gain a production for Warren Bodow’s drama FRONTING THE ORDER, which I also dramaturged. The five character ensemble piece explores the ethics and practicality of using deception to gain a short term profit, and we see a premonition of the conflicts of our 21st century information age. Please send all inquiries to me at: . Warren is the retired President of radio stations WQXR and WQEW and received great reviews from The New York Times for RACE MUSIC last year on Theatre Row. The Cherry Lane Theatre will  present a staged reading of his new play later this summer.
  • Broadway legend George Marcy performed his musical play THE BALLAD OF GEORGIE PORGIE (co-written with Bob Goldstone, who also serves as Musical Director) on June 9th at Don’t Tell Mama in NYC. Carol Lawrence and Chita Rivera were in attendance. George will perform the show again at DTM at 8pm on September 9th. Here are his comments: “Anne Hamilton, with her insight, creativity and knowledge, is responsible for guiding THE BALLAD OF GEORGIE PORGIE to where it is today.” Tickets are $20 through This show is terrific! Don’t miss it!

LPTW Activities

  • After a whirlwind year of serving as Co-Secretary of the League of Professional Theatre Women, I have resigned in order to focus on hosting and producing a new League oral history podcast series. I will interview League members in the audio series LPTW Voices: Women Have Their Say. Many thanks to the League for this opportunity, and also to all the Officers and Board members who serve our constituency so faithfully. I treasure my League membership.
  • I still serve on the LPTW’s Mentoring Committee under Chairwoman Margery Klain. The committee is dedicated to providing mentoring opportunities to female theatre artists who are members of the League. Please see for an application.

ScriptForward! #22 – A Specialty Newsletter for Scriptwriting Professionals


Click here to read Hamilton Dramaturgy’s ScriptForward! #22

Welcome to the June issue of ScriptForward!, a specialty E-newsletter prepared for professional and aspiring scriptwriters by Hamilton Dramaturgy. With nineteen years of experience in New York, across the nation, and internationally, I offer this newsletter as a means of support and information to the worldwide scriptwriting community.

This month’s features:
Two of my plays and a poem have been selected for the juried exhibition TRANSITIONS at Pen and Brush, Inc. in NYC. ANOTHER WHITE SHIRT (play), THE STACY PLAY – A LOVE SONG – VOLUME I (play) and GONDOLIER (poem) are appearing in the virtual exhibit at through September 3rd.

Anne Hamilton Reads a Monologue from ANOTHER WHITE SHIRT

Ludovica Villar-Hauser, a director/dramaturg, writes an article about Works by Women, a new theatre-going advocacy group she created in New York City.

My audio podcast series TheatreNow!, an oral history of leading American female theatre artists, is available at Guests include: Quiara Alegria Hudes, Ruth Margraff, Kristin Marting, Catherine Filloux, Yvette Heyliger and Yvonne Heyliger, Valentina Fratti, and Claire Lautier.

My Burning An[swer] segment features advice on how a college student can train to become a dramaturg.

My “Recent Successes” section features many new collaborations!- Tina Andrews, George Marcy, Bob Goldstone, and Warren Bodow.

I hope that this issue of ScriptForward! will be useful to you and I welcome your feedback

Anne’s Plays and Poetry Win a Place in TRANSITIONS, Pen and Brush’s Juried Exhibition


Click into the Virtual Exhibit here:

Anne Hamilton’s plays and poetry have been selected for the juried exhibition TRANSITIONS at Pen and Brush, Inc. in NYC. ANOTHER WHITE SHIRT (play), THE STACY PLAY – A LOVE SONG – VOLUME I (play) and GONDOLIER (poem) will appear in the Virtual Event at from June 3rd through August 31st.

The exhibition had its real-time opening at the Pen and Brush studios on June 3rd between 6pm and 9pm at 16 East 10th Street near Washington Square Park in New York City. Anne read SHARON’s first monologue from ANOTHER WHITE SHIRT and STACY’s last monologue from THE STACY PLAY. She also read colleague Leah Kornfeld Friedman’s play I STOOD WITH MY SATCHEL. A previous Pen and Brush award-winner, Leah had a prior engagement and could not attend the opening.

AND THEN I WENT INSIDE starred Kathleen Chalfant at the Cherry Lane Theatre (NYC) in November, 2009. With Kathy’s encouragement, and with her voice in mind, Anne expanded the play into THE STACY PLAY – A LOVE SONG. In March, Anne performed AND THEN I WENT INSIDE (PART II of THE STACY PLAY) in Philadelphia at the Green Light Arts debut event, and read YOU ARE HERE – PART I, with Christopher Gliege as Jonathan, at the Hibernating Rattlesnakes event at the Nuyorican Poets Cafe.

Anne Hamilton, Contributor to Open To Hope

Anne has been a contributor to the grief support website OPEN TO HOPE for almost two years.

Anne Hamilton lost her best friend Curtis in a head-on car accident in 1979, two weeks after his high school graduation. Her emotional life became frozen and she has spent the last thirty years exploring all areas of self-expression, particularly through stage plays, poetry, theatre, art, and music. She is currently developing her own chamber-play-with-dance entitled ANOTHER WHITE SHIRT, about the way that grief moves through the body. Kathleen Chalfant performed her one-woman short play AND THEN I WENT INSIDE, about Stacy Lee Madison, an artist and scholar coming to terms with the triumphs and losses in her life. With Kathleen’s encouragement, Anne expanded that piece into the full-length play THE STACY PLAY – A LOVE POEM.

As a professional dramaturg and script developer in New York City for the past 19 years, Anne has helped leading writers and performers in all fields to express their grief, loss, hope and recovery in works of art through her website

Recent dramaturgy projects have included: Israeli filmmaker Judd Ne’eman’s STONE DANCER, about the human, personal cost of the Vietnam War and its aftereffects, and Enrique Menendez’s AboutFace, a short film about Enrique’s experience of living with HIV/AIDS. AboutFace was screened at the 2007 New York AIDS Film Festival.

Anne is an award-winning Columbia University graduate and the principal of Hamilton Dramaturgy. To ask Anne for help on developing your own play, screenplay, poetry, fiction or non-fiction, please contact her at

She has developed a one-day, experiential workshop on HEALING THROUGH THE ARTS that is available for hospitals, schools, and other organizations. Please inquire about it at