Anne Hamilton/Hamilton Dramaturgy


Testimonial from Kevin Lawler, GPTC

Anne has worked with GPTC playwrights for several years and has been lauded for her commitment, care and insight. She brings a great body of experience and a love of the theatre to every script that she works on.”

-Kevin Lawler, Artistic Director, Great Plains Theatre Conference, Omaha, Nebraska. USA.

GPTC 2015 IS SET FOR SATURDAY, MAY 23 – SATURDAY, MAY 30, 2015!



BCWJ Article – Preparing for Theatre Conferences

Here is my latest article for my Page & Stage column in the Bucks County Women’s Journal. You may download the article here: BCWJ Article – Preparing for Theatre Conferences by Anne Hamilton

Preparing for Theatre Conferences

By Anne M. Hamilton, MFA

Every year I attend the Great Plains Theatre Conference in Omaha, Nebraska. For a week, Metropolitan Community College hosts a multifaceted developmental program which includes productions, five MainStage readings, workshops, and more than twenty PlayLab readings.

The process starts when the conference puts out a call for play submissions in the fall. Plays come in from all over the world, are read and evaluated, and then the final plays are chosen. The process is similar for other play development conferences like Seven Devils, the Last Frontier Theatre Conference, and PlayPenn in Philadelphia.

When playwrights are looking to develop their work, they often send out their scripts to gain the widest range of experience. Having actors, directors and dramaturgs read the scripts in front of an audience allows the playwright to hear her work, and determine which areas are working, and which can be strengthened.

At Great Plains, a team of artists gathers for several rehearsals, and then presents the reading. A panel of professional playwrights, directors, educators and dramaturgs gives the playwright feedback, and then the playwright discusses the play with her assigned dramaturg. During the week, playwrights also take a variety of workshops, writing new work, and learning new approaches to creative inspiration.

As a Guest Artist, I really enjoy getting to know each new work, and then discussing the reading with its creator. Many scripts go on to great success with other festivals and conferences, as well as productions. It is a pleasure to continue a professional relationship with the playwrights, and to support them as they continue their submissions, and apply to professional training programs and graduate schools.

It is in every playwright’s best interest to actively research and submit to developmental workshops and conferences. The theatre starts with a rather level playing field in that every actor has to audition and learn to perform on stage, and every playwright has to submit and have her plays read and performed on stage. A conference can be a marvelous experience which pushes a writer’s career forward, and gives her a refreshing collaborative experience.

Anne Hamilton has 23 years of experience as a dramaturg. She is available for script consultations and career advising through hamiltonlit@hotmail.com. Season Three of Hamilton Dramaturgy’s TheatreNow! launched with an interview with Kate Valk, The Wooster Group’s leading actress.

 

 



Dramaturgy Intensive in Omaha

On May 23rd and 24th I’ll be joining UNO Professor of Theatre Cindy Melby Phaneuf, Walter Byongsok Chon and Heather Helinksy in teaching a dramaturgy intensive at the University of Nebraska in Omaha. I met Cindy last May while I was serving as a dramaturg at the Great Plains Theatre Conference. She has put together a terrific intensive workshop, which will be led primarily by Walter. I will teach a section on dramaturging classics, using Carolyn Balducci’s adaptation of LYSISTRATA as a text.

This intensive is open to University of Nebraska – Omaha students only. If you are interested in the topic, please contact me at hamiltonlit@hotmail.com, and I will try to accommodate you in the future.

Attached is information on a 2 day intensive part of this summer’s offering for undergraduate and graduate students through the department of Theatre.  There will be 3 professional dramaturgs with MFAs from Yale, Columbia, and Harvard teaching this class with me.  We will meet for 2 intensive days on May 23 and 24—and then the students will participate in the Great Plains Theatre Conference for one day during the week following to see dramaturgs in action.  If a student can find 3 days in May—they can take advantage of this exciting learning opportunity.  The course is THEA 8000 for 3 credit hours—and beyond the days in May—the course will be completed as an independent project.

Questions—email cphaneuf@unomaha.edu or call Dr. Cindy Melby Phaneuf, 402.554.2552