Anne Hamilton/Hamilton Dramaturgy


Great Review of THE ROUTLEDGE COMPANION TO DRAMATURGY

American Theater magazine has given a terrific review to THE ROUTLEDGE COMPANION TO DRAMATURGY, edited by Magda Romanska.

My article, “Freelance Dramaturgs in the Twenty-First Century – Journalists, Advocates, and Curators” garnered praise from the reviewer Philippa Kelly: “One of the book’s highlights is Anne Hamilton’s essay on who dramaturgs are and what they do: cross boundaries, multitask, act as officers of public liaison and conduits for outreach…Hamilton aims to inspire dramaturgs to build confidence in their own creative contributions, and to reach deeper, to act more broadly and boldly.”

I am sending many thanks to Magda for including my chapter in this volume. It has sold out in hardcover, and is now available in paperback for $39.99. (ISBN-13: 978-0415658492, ISBN-10: 0415658497)

http://www.americantheatre.org/2015/07/07/dramaturgs-of-the-world-unite-and-parse-this-text/

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Dramaturgy Companion Book Launch January 21st in NYC

On January 21st, I will speak on a panel for a book launch to be held at my alma mater, Columbia University School of the Arts. Please join us!

DramaturgyInThe21stCentury

 



THE ROUTLEDGE COMPANION TO DRAMATURGY – Coming soon

I’m very excited that my article, “Freelance Dramaturgs in the 21st Century: Journalists, Advocates and Curators” will appear in this new textbook, edited by Magda Romanska.

cover image

http://www.routledge.com/books/details/9780415658492/

It’s available for pre-order now.

Dramaturgy, in its many forms, is a fundamental and indispensable element of contemporary theatre. In its earliest definition, the word itself means a comprehensive theory of “play making.” Although it initially grew out of theatre, contemporary dramaturgy has made enormous advances in recent years, and it now permeates all kinds of narrative forms and structures: from opera to performance art; from dance and multi-media to filmmaking and robotics.

In our global, mediated context of multi-national group collaborations that dissolve traditional divisions of roles as well as unbend previously intransigent rules of time and space, the dramaturg is also the ultimate globalist: inter-cultural mediator, information and research manager, media content analyst, inter-disciplinary negotiator, social media strategist.

This collection focuses on contemporary dramaturgical practice, bringing together contributions not only from academics but also from prominent working dramaturgs. The inclusion of both means a strong level of engagement with current issues in dramaturgy, from the impact of social media to the ongoing centrality of interdisciplinary and intermedial processes.

The contributions survey the field through eight main lenses:

  • world dramaturgy and global perspective
  • dramaturgy as function, verb and skill
  • dramaturgical leadership and season planning
  • production dramaturgy in translation
  • adaptation and new play development
  • interdisciplinary dramaturgy
  • play analysis in postdramatic and new media dramaturgy
  • social media and audience outreach.

Magda Romanska is Visiting Associate Professor of Slavic Languages and Literatures at Harvard University, Associate Professor of Theatre and Dramaturgy at Emerson College, and Dramaturg for Boston Lyric Opera. Her books include The Post-traumatic Theatre of Grotowski and Kantor(2012), Boguslaw Schaeffer: An Anthology (2012), and Comedy: An Anthology of Theory and Criticism (2014).



Magda Romanska on Dramaturgy

Here is a terrific new article published on the Boston Lyric Opera’s blog IN THE WINGS.

http://bostonlyricopera.blogspot.com/2014/01/meet-dramaturg.html

In a recent Boston Globe article, Boston Lyric Opera’s Dramaturg, Dr. Magda Romanska, was quoted saying that “the rigid division of roles (director/dramaturg/playwright)” or in the case of an opera, the stage director, dramaturg, and librettist “becomes more and more blurred as people move across boundaries” and begin to work together. When we posted the article on the BLO Facebook page, a longtime fan of the company asked, “Can someone please give me a definition of a dramaturg and what he/she does?” We thought this was a fine opportunity to formally introduce you to Magda and explain what it is exactly that she does.

Excerpt: “In our global, mediated context of multi-national group collaborations that unbend traditional divisions of roles as well as previously intransigent rules of time and space, the dramaturg is also the ultimate globalist: inter-cultural mediator, information and research manager, media content analyst, inter-disciplinary negotiator, and social media strategist.”



Magda Romanska’s Dramaturgy Handbook

Great news! Magda Romanska has allowed LMDA to post her Dramaturgy Handbook . What a terrific resource! Enjoy!

Download it here: Madga Romanska’s Dramaturgy Handbook for Emerson

Dr. Romanska is Associate Professor of Theatre and Dramaturgy at Emerson College in Boston, MA, and Research Associate at Harvard University’s Minda de Gunzburg Center for European Studies. She is a recipient of the Aquila Polonica Article Prize and the Gerald Kahan Scholar’s Prize. A former exchange scholar at the Yale School of Drama and fellow at the Mellon School of Theatre and Performance Research at Harvard University, Romanska graduated with honors from Stanford and holds a Ph.D. from Cornell University.

Here is the link: http://www.lmda.org/magda-romanskas-dramaturgy-handbook-emerson-college