Anne Hamilton/Hamilton Dramaturgy


BCWJ Profile of Genne Murphy

Here is my latest Bucks County Womens Journal article. Download it Anne Hamilton’s BCWJ Profile of Genne Murphy.

Profile of Genne Murphy

By Anne M. Hamilton, MFA

Genne Murphy is a rising star in the theatre world. Her plays have been developed or produced in Nebraska, Colorado, New York and Connecticut as well as locally. The Azuka Theatre produced HOPE STREET AND OTHER LONELY PLACES.

Recently, she was honored with the Leah Ryan Fund for Emerging Women Writer’s Award for her play GIANTESS at the Lilly Awards, hosted at the Signature Theater in New York City. The Lilly Awards celebrate significant contributions by women to the American theatre, including 2016 honorees Danai Gurira, Jesse Mueller and Martha Plimpton.

Born and raised in Philadelphia, Murphy has been deeply involved as a writer and arts educator since graduating from Central High. Her many local awards and affiliations include the Philadelphia Young Playwrights, PlayPenn, and the Leeway Foundation Transformation Award/Art and Change Grant.

Originally, she says, the idea for GIANTESS came in a dream: “I was trying to pour water into a tiny glass and it was really annoying. Then all of a sudden I realized, ‘OMG I’m a giant!’ I panicked, woke up. [The dream] really stuck with me–that idea of being so discombobulated and feeling extremely uncomfortable in your body. I thought there were a lot of interesting metaphors to explore.”

Described by the Leah Ryan FEWW program as having, “truly singular and theatrical voice,” Murphy will workshop her play with a few closed-door readings at Primary Stages in New York City and New York Stage and Film before the Fund presents a full public reading in the fall.

“GIANTESS starts with a young woman who is taking care of her ailing, disabled grandmother,” says Murphy. “Early on in the play she discovers a girl her own age in the abandoned factory behind her grandmother’s house – a 30-foot tall giantess. They develop a deepening connection to one another in this very fraught and heightened situation.”

Reflecting on her time with Philadelphia Young Playwrights, she states, “My experience, [as] a student, educator, and staff member enabled the idea of revision – the actual work of revision – to be a less scary prospect.”

She holds a bachelor’s degree from NYU’s Tisch School of the Arts and is currently an M.F.A. candidate in playwriting at the Yale School of Drama.

Anne Hamilton has 25 years of experience as a dramaturg. She is available for script consultations and career advising through hamiltonlit@hotmail.com.

 

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BCWJ Article on Little Black Dress INK

Outside the Lines_UNBOUND posterLittle Black Dress INK

By Anne M. Hamilton, MFA

For the past year I have had the pleasure of being involved in Little Black Dress INK’s Female Playwrights Onstage Project.

Now in its fourth year, the competition is the brainchild of Playwright and Educator Tiffany Antone, who currently resides in Texas. This national festival of new work has a different theme each year and utilizes a peer review process to identify semi-finalists, whose short plays or monologues are then read in different cities across the country. Finalists are chosen from those events. They enjoyed a staged reading at the Los Angeles Theatre Center last year, followed by a production in Arizona in January.

In 2014, the theme was Planting the Seed, and my play OFEM, inspired by my experience as a CSA member at Blooming Glen Farm, was a finalist. It was read in Ithaca, NY, and Los Angeles before being given its premiere in Arizona. Indie Theatre Now will publish OFEM and all the finalists in an online volume of 11 plays.

This year’s theme is Outside the Lines, and my two character drama THE SHOEBOX is a semifinalist. This short play reunites two high school classmates to reminisce in a late night phone call after their homeroom teacher, a nun, has passed away. Theater Unbound in Minneapolis gave it a staged reading along with five other pieces in March. The festival is still unfolding in events across the country.

Tiffany summarizes her goals on her website: “Little Black Dress INK is an experiment in support, inspired by recent revelations in numbers on the subject of just how few female playwrights actually get produced. Through outreach, education, and producing opportunities, Little Black Dress INK strives to create more production opportunities for female playwrights while also strengthening the female playwright network.”

I have found this competition to be a highly effective and rewarding way of reaching those goals. It grows every year, and currently involves 35 new plays and over 60 artists in eight cities. 2016 submission guidelines will be posted on www.littleblackdressink.org on October 1, 2015.

Anne Hamilton has 24 years of experience as a dramaturg. She is available for script consultations and career advising through hamiltonlit@hotmail.com. Her play WHO’S ANDY WARHOL? was performed at The Lost Theatre in London in October, 2014. She will teach a playwriting workshop at the Philadelphia Writers Conference in June 12-14, 2015.

To be published in Anne’s Page & Stage column in the Bucks County Women’s Journal (April/May 2015 issue). www.buckscountywomensjournal.com



WHO’S ANDY WARHOL? on youtube

WATCH HERE – https://www.youtube.com/watch?v=qVUzz0EJq5E

It’s up!  A video of the production of my short play WHO’S ANDY WARHOL?, which was performed at the Lost Theatre in Wandsworth, London on October 24th. This is one of the 10 winning plays from the British Theatre Challenge. the International New Writing Competition by the Sky Blue Theatre Company of Cambridge, England.

WHO’S ANDY WARHOL? portrays a medical crisis which redefines the relationship between two lovers when one contracts transient global amnesia.

I am very happy with the production, especially the actors Chris Towner-Jones as Matt, and Lizzie Stanton as Sarah. What a joy it is to watch my words come to life! I hope that you enjoy this piece produced by Mini Mammoth Films. This is the first of the winning plays to be posted on youtube.

Special thanks to Anne Bartram of Sky Blue, and Rah Petherbridge, the UK-based photographer who took these wonderful stills below.

If you would like to read the play, please contact me at hamiltonlit@hotmail.com. Thank you for watching!

 

©Rah Petherbridge -  Who's Andy Warhol--3

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TheatreNow! Interview with Murielle Borst Tarrant

Hamilton Dramaturgy’s TheatreNow! is a podcast series featuring some of the most exciting women artists working in the theatre today. Anne Hamilton is the producer and host. You may listen to the podcasts and read the transcripts at http://hamiltondramaturgystheatrenow.com

 Murielle Borst Tarrant

Hamilton Dramaturgy’s TheatreNow!

Interview with Murielle Borst Tarrant

Playwright, Director and Producer

(Season 3, Episode 5, Recorded July 12, 2012)

Hamilton Dramaturgy’s TheatreNow! Interview with Murielle Borst Tarrant

 Anne Hamilton: Welcome to Hamilton Dramaturgy’s TheatreNow! This is a podcast series featuring some of the most exciting female artists working in the theatre today. I’m your host, Anne Hamilton. Today our guest is Murielle Borst Tarrant.

Murielle is a member of the Kuna and Rappahannock Nations. She is an author, playwright, director, producer, cultural artist, educator, and human rights activist. She comes from a long line of cultural activism with her family’s theater company, the world famous Spiderwoman Theater, located in New York City. For four years she served as the Special Assistant and liaison to Tonya Gonnella Frichner, the North American Regional representative to the United Nations Permanent Forum on Indigenous Issues. Finally, she is the director of “Safe Harbors” Indigenous Arts/Theatre Collective at La Mama ETC.

Hamilton Dramaturgy’s TheatreNow! is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of Hamilton Dramaturgy’s TheatreNow! must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

 



Kia Corthron’s Great Plains Theatre Conference Speech

Playwright Kia Corthron gave a terrific speech as the Honored Playwright at the 2014 Great Plains Theatre Conference. We are privileged to post it here. It is a must-read! Thank you so much, Kia.

Download it here: Kia Corthron’s 2014 Great Plains Theatre Conference Speech

GPTC 2014 Honored Playwright Kia Corthron

GPTC 2014 Honored Playwright Kia Corthron

Kia Corthron was awarded a 2014 Windham Campbell Literature Prize. She is a contributing writer of Steel Hammer performed by Anne Bogart’s SITI Company, developed through ATL/Humana 2014 and premiering at the Brooklyn Academy of Music in 2015. Corthron’s Life by Asphyxiation, previously produced by Playwrights Horizons, inaugurated the Public Theater’s Public Forum Drama Club last October.

Other plays include A Cool Dip in the Barren Saharan Crick (Playwrights Horizons coproduction with The Play Company and the Culture Project), Trickle (Ensemble Studio Theatre’s Marathon), Moot the Messenger (Actors Theatre of Louisville’s Humana Festival), Light Raise the Roof (New York Theatre Workshop), Snapshot Silhouette (Minneapolis’ Children’s Theatre), Slide Glide the Slippery Slope (ATL Humana, Mark Taper Forum), The Venus de Milo Is Armed (Alabama Shakespeare Festival), Breath, Boom (London’s Royal Court Theatre, Playwrights Horizons, Yale Repertory Theatre, Huntington Theatre and elsewhere), Force Continuum (Atlantic Theater Company), Splash Hatch on the E Going Down (New York Stage and Film, Baltimore’s Center Stage, Yale Rep, London’s Donmar Warehouse), Seeking the Genesis (Goodman Theatre, Manhattan Theatre Club), Digging Eleven (Hartford Stage Company), Wake Up Lou Riser (Delaware Theatre Company), Come Down Burning (American Place Theatre, Long Wharf Theatre), Cage Rhythm (Sightlines/The Point in the Bronx).

Awards and fellowships include the 2012 Lee Reynolds Award (League of Professional Theatre Women), Rockefeller Foundation’s Bellagio Creative Arts Residency (Italy), Dora Maar Residency (France), MacDowell Colony, Siena Arts Institute Visiting Artist (Italy), Playwrights Center’s McKnight National Residency, Masterwork Productions Award, the Wachtmeister Award, Columbia College/Goodman Theatre Fellowship, Barbara Barondess MacLean Foundation Award, AT&T On Stage Award, Daryl Roth Creative Spirit Award, Mark Taper Forum’s Fadiman Award, National Endowment for the Arts/TCG, Kennedy Center Fund for New American Plays, New Professional Theatre Playwriting Award, Callaway Award, and in television a Writers Guild Outstanding Drama Series Award and Edgar Allan Poe Award for The Wire.

Most recently Kia has written two new plays, Megastasis and Slingshot, and a novel. She currently serves on the Council of the Dramatists Guild, is a member of the Writers Guild of America, and is an alumnus of New Dramatists.



Anne Hamilton’s Article on 21st Century Freelance Dramaturgy in new international textbook

I am thrilled to announce the publication of my article, “Freelance dramaturgs in the twenty-first century: journalists, advocates, and curators” in the ROUTLEDGE COMPANION TO DRAMATURGY (ISBN: 978-0-415-65849-2,published on July 29, 2014), edited by  Magda Romanska. My chapter is the only one on freelance dramaturgy in the book.

The article details the creation and development of Hamilton Dramaturgy’s TheatreNow!, as well as other tools I have used to utilize technology, cultural interconnectedness, and entrepreneurship to expand the role of the dramaturg in the 21st century.

It appears as the 18th chapter of the book, in the Age of Globalization section. TheatreNow’s Asia Representative Walter Byongsok Chon also contributed a chapter in the same section, entitled, “Intercultural dramaturgy: dramaturg as cultural liaison”.

The volume is available at: http://www.routledge.com/books/details/9780415658492/?utm_source=cms&utm_medium=url&utm_campaign=SBU4_SJC_3RF_8cm_9PER_00000_HBK

THE ROUTLEDGE COMPANION TO DRAMATURGY Edited by Magda Romanska

 

 

 

 

 



Time to See Donkey Punch

I LOVE Soho Rep!

Works by Women

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Tonight, Micheline Auger‘s Donkey Punchmakes the rare leap from indie, Off-Off Broadway theater to Off-Broadway theater. Previews begin at Soho Playhouse, the venerable space that launched many playwrights careers (think Albee, Shepard). In this instance, Ivy Theatre, a company dedicated to untold stories and unheard voices, remounts its production of Auger’s audacious, moving play.

Written and directed by women (Auger and director Audrey Alford), Donkey Punch (the piece was formerly known as The Feminism of a Soft Merlot or How the Donkey Got Punched) explores feminism and women’s sexuality with the deftness of French filmmaker Catherine Breillat mixed with a true American sentiment. The play follows two friends at a crossroads in each’s life.

From the press release: In Donkey Punch, uninhibited Kareena delves into monogamy while her uptight best friend, Sam, starts dating a pornographer. In this fast-paced world of sex, shifting relationships…

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