Anne Hamilton/Hamilton Dramaturgy


TheatreNow! Interview with Murielle Borst Tarrant

Hamilton Dramaturgy’s TheatreNow! is a podcast series featuring some of the most exciting women artists working in the theatre today. Anne Hamilton is the producer and host. You may listen to the podcasts and read the transcripts at http://hamiltondramaturgystheatrenow.com

 Murielle Borst Tarrant

Hamilton Dramaturgy’s TheatreNow!

Interview with Murielle Borst Tarrant

Playwright, Director and Producer

(Season 3, Episode 5, Recorded July 12, 2012)

Hamilton Dramaturgy’s TheatreNow! Interview with Murielle Borst Tarrant

 Anne Hamilton: Welcome to Hamilton Dramaturgy’s TheatreNow! This is a podcast series featuring some of the most exciting female artists working in the theatre today. I’m your host, Anne Hamilton. Today our guest is Murielle Borst Tarrant.

Murielle is a member of the Kuna and Rappahannock Nations. She is an author, playwright, director, producer, cultural artist, educator, and human rights activist. She comes from a long line of cultural activism with her family’s theater company, the world famous Spiderwoman Theater, located in New York City. For four years she served as the Special Assistant and liaison to Tonya Gonnella Frichner, the North American Regional representative to the United Nations Permanent Forum on Indigenous Issues. Finally, she is the director of “Safe Harbors” Indigenous Arts/Theatre Collective at La Mama ETC.

Hamilton Dramaturgy’s TheatreNow! is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of Hamilton Dramaturgy’s TheatreNow! must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

 

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Chon and Cammarata Join Hamilton Dramaturgy Staff

Hamilton Dramaturgy has expanded its staff by appointing Walter Byongsok Chon as Associate Dramaturg, and Cate Cammarata as Assistant Dramaturg. Both artists have made significant contributions to the company and its projects, performances and programming for the last two years, leading to their official appointment. Their contract is non-exclusive, and the dramaturgs will continue to develop their careers fully with many other organizations and artists. Hamilton Dramaturgy wiill be able to offer more expertise to serve all the needs of its growing client list. Welcome, Walter and Cate!

BIOS

Walter Byongsok Chon is a doctor of fine arts candidate at the Yale School of Drama, where he is writing his dissertation, “Behind Romantic Irony: How 18th-Century English Self-Reflective Satire Anticipated a New German Drama.” He received his MFA in Dramaturgy and Dramatic Criticism from Yale School of Drama, where he was production dramaturg on Yale Rep’s Rough Crossing and Eclipsed and several YSD and Yale Cabaret productions. His other accomplishments include new play development (Eugene O’Neill Theatre Center, The Great Plains Theater Conference), translation (Serpent At My Thigh, Inching Towards Yeolha, from Korean into English; Charles Mee’s True Love from English to Korean), conference presentation (ATHE, PTRS), and publication of his articles in Praxis, Theater, The Korean National Theatre Magazine, and The Korean Theatre Review, among others. Walter holds a BA in English from Sungkyunkwan University, and an MA in theatre studies from Washington University in St. Louis. He recently served as Artistic Coordinator at the Yale Repertory Theatre.

Cate Cammarata is a Producer, Director and Dramaturg, and is also an Adjunct Professor at SUNY Stony Brook.  She is the Literary Manager for Theater Resources Unlimited (TRU) and Jana Robbins Productions, and is in development with MY LIFE IS A MUSICAL as an Associate Producer.  Cate has previously worked with the HERE Arts Center, The Active Theater, Hamilton Dramaturgy, Hamilton Dramaturgy’s TheatreNow!, Hughes/Moss Casting, Syracuse Stage, the Emelin Theater, and the John W. Engeman Theater in Northport, Long Island.  She holds a MFA in Dramaturgy from SUNY Stony Brook and a BFA in Acting/Directing from Syracuse University, and is a graduate of the Commercial Theater Institute.

Hamilton Dramaturgy is an international consultancy based in New York City. It was founded in 1991 by Anne Hamilton, who holds an MFA from Columbia University of the Arts. The company’s clients have gone on to win the Pulitzer Prize, the MacArthur “Genius” Award, the Tony ® Award, and a Royal Court International Residency. Selected client list: Andrei Serban, the Joseph Papp Public Theater, the Harold Prince Musical Theatre Institute, Michael Mayer, Lynn Nottage, and Classic Stage Company. Hamilton produces and hosts Hamilton Dramaturgy’s TheatreNow!, a podcast series featuring some of the most important contemporary female theatre artists working in America. http://hamiltondramaturgystheatrenow.com, http://www.hamiltonlit.com, hamiltonlit@ hotmail.com.



Judith Malina Featured in WOMEN IN THEATRE Magazine

I had the great pleasure of interviewing Judith Malina, Artistic Director of The Living Theatre, in May, along with two other female artistic directors in New York City. My article on the conversation, entitled “Women on the Cutting Edge”, has just been published in WOMEN IN THEATRE Magazine. The conversation also features Kamilah Forbes, Artistic Director of The Hip-Hop Theater Festival, and Maria Striar, Producing  Artistic Director of Clubbed Thumb. It covers discusses the challenges, and rewards of producing experimental theatre.

WOMEN IN THEATRE Magazine was published in a special 30th Anniversary edition by the League of Professional Theatre Women this month. The Editor is Ruth Mayleas, the Managing Editor is Alexis Greene, and the Designer is Linda Florio of Florio Design.

You may download the article here: Women on the Cutting Edge article by Anne Hamilton – WOMEN IN THEATRE Magazine