Anne Hamilton/Hamilton Dramaturgy


UNHEARD VOICES, A New Monologue Play with Music

http://www.americanslaveryproject.org/

One Performance Only!

With New Monologues about or in the Voices of Children

ASP commissioned African American writers to examine the 419 graves of the anonymous men, women and children who lived in colonial New York and are buried at the African Burial Ground.

The writers imagined their lives. These are their…Unheard Voices, a monologue play with music

Conceived by Judy Tate

Written by the ASP Writers’ Collective

Directed by Melissa Maxwell

Monday, October 21st, 7pm

170 Central Park West @ 77th St., NYC

Click Here for $10.00 Tickets

Free For Educators and Students!

RSVP to: schoolprograms@nyhistory.org or call (212) 485-9293

Featuring: Lynnette Freeman, Larry Floyd, Melissa Murray-Mutch, Devin Haqq

Original vocals by Aramide Ferguson and Percussion by Baba Don Eaton

Featuring writing by:Keith Josef Adkins, Dennis Allen II, Joshua Allen, Cassandra Medley, Dominique Morisseau,  Harrison Rivers, Judy Tate, Alexander Thomas and Cori Thomas

For more info visit the website: www.americanslaveryproject.org

The American Slavery Project is a fiscally-sponsored project of the Vera Institute of Justice.

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George Marcy and Carol Lawrence Team Up at Don’t Tell Mama

George Marcy

Congratulations to George Marcy, who will star in his new cabaret I WISH I WERE TWINS at Don’t Tell Mama in NYC on September 23rd and 29th.  Carol Lawrence, his good friend and co-star in Broadway’s original WEST SIDE STORY will direct.

This is the third autobiographical cabaret that I have worked on with George. I gave him some script development advice on the show. It is always a pleasure, and this is a show not to be missed. See you there!

http://www.broadwayworld.com/cabaret/article/Broadways-George-Marcy-and-Carol-Lawrence-Team-Up-for-New-Cabaret-Show-at-Dont-Tell-Mama-923-29-20130916



REPUBLIC COUNTY by Joe Musso

To everyone in Los Angeles – One of my Theatre Artists I Love to Follow (TALFs) will have a play produced at Zombie Joe’s Theatre Group on Saturdays at 8:30 p.m. from June 8 through July 6! It’s Joe Musso’s REPULIC COUNTY. The show’s postcard is attached.

Joe Musso's ZOMBIE JOE'S



Andrew Barrett Still Loves SMASH

Thanks again to Andrew Barrett (my TALF) for weighing in on SMASH. Check out his blog at: http://barrettny.wordpress.com/2013/03/14/five-new-reasons-why-i-love-nbcs-smash/

Five New Reasons Why I Love NBC’s “Smash”

Ratings are up, story lines continue to intrigue and hopes are high.  So without further adieu, five new reasons why I love NBC’s “Smash.”

1.  Art vs. Commerce. Not since David Mamet’s “Speed the Plow” has the debate between the dream of the artist vs. the dream of the producer been so honestly depicted.  Many haters have blogged and posted and tweeted how inauthentic “Smash” is (i.e. Season One featured Ivy running through Times Square in her “Heaven on Earth” costume).  The rules and regulations of costume wearing off-stage are not the thing of great drama.  A serious conflict between art and money is great drama.  Based on my own experiences sitting in more than one producer meeting, I was thrilled by the accuracy of the arguments, tensions, and solutions centered on this dramatic conceit.  And it made for great drama Tuesday night.

2.  Urban Cowboy.  Veanne Cox delivers one of the best inside joke one-liners I have ever heard…ever!  And because it’s Veanne Cox, it’s delivered perfectly.  If you haven’t seen this week’s episode of “Smash,” I won’t spoil it.  But for theater folks in the know, I am 100% sure there was a collective gasp followed by a well-deserved guffaw.

3.  Jerry Rand.  To be honest, I don’t know where this storyline is going.  Case in point, if he is in it to ruin “Bombshell,” he’s doing a terrible job since his fight to make it “commercial” is making at least one of the creators happy.  (And by episodes conclusion it would appear both writers are happy).   Still, Michael Cristofer makes for a potentially great villain.  I’m waiting for the J.R. Ewing or Alexis Carrington or even Angela Channing moment of pure evil, and I hope it is as enjoyable as Hagman, Collins and Wyman made their moments.

Come on “Smash.”  You can do it!  You almost had it when Jerry threatened Karen, but here’s hoping that evil will be unleashed on Eileen instead.  With her, you can be guaranteed a martini in the face!

4.  Baz Luhrmann’s “La Boehme” on Broadway. If you’re gonna go fringe, find symbolism from the guy who was totally fringe but succeeded commercially…Baz Luhrmann.  In a nod to his artistically stunning Broadway version of “La Boehme,” “Hit List” borrowed their basement theater set design (see the back wall) from the noir-romantic design from the 2002 Broadway production.

5.  Saturday nights.  Guess what everyone…the show is starting to improve in the ratings.  It’s true.  Here is a encouraging quote from their press release (Go Bob Greenblatt!): “”Smash” is currently building on this week’s lead-in by 29% or 0.2 of a point.  Note that “Smash” continues to add an exceptional amount of viewership via time-shifting…”  So rather than cancel the show outright, NBC is wisely placing the show on Saturday nights.  This will capitalize on the larger number of time-shift viewing they know they are getting.  This is a very smart move inspired by the commercial realities of TV.

And there ya have it.  My five new reasons for loving “Smash.”  What are your reasons for loving the show?  (Besides the too infrequent cameos of Ann Harada!)