Anne Hamilton/Hamilton Dramaturgy


UNHEARD VOICES, A New Monologue Play with Music

http://www.americanslaveryproject.org/

One Performance Only!

With New Monologues about or in the Voices of Children

ASP commissioned African American writers to examine the 419 graves of the anonymous men, women and children who lived in colonial New York and are buried at the African Burial Ground.

The writers imagined their lives. These are their…Unheard Voices, a monologue play with music

Conceived by Judy Tate

Written by the ASP Writers’ Collective

Directed by Melissa Maxwell

Monday, October 21st, 7pm

170 Central Park West @ 77th St., NYC

Click Here for $10.00 Tickets

Free For Educators and Students!

RSVP to: schoolprograms@nyhistory.org or call (212) 485-9293

Featuring: Lynnette Freeman, Larry Floyd, Melissa Murray-Mutch, Devin Haqq

Original vocals by Aramide Ferguson and Percussion by Baba Don Eaton

Featuring writing by:Keith Josef Adkins, Dennis Allen II, Joshua Allen, Cassandra Medley, Dominique Morisseau,  Harrison Rivers, Judy Tate, Alexander Thomas and Cori Thomas

For more info visit the website: www.americanslaveryproject.org

The American Slavery Project is a fiscally-sponsored project of the Vera Institute of Justice.



George Marcy and Carol Lawrence Team Up at Don’t Tell Mama

George Marcy

Congratulations to George Marcy, who will star in his new cabaret I WISH I WERE TWINS at Don’t Tell Mama in NYC on September 23rd and 29th.  Carol Lawrence, his good friend and co-star in Broadway’s original WEST SIDE STORY will direct.

This is the third autobiographical cabaret that I have worked on with George. I gave him some script development advice on the show. It is always a pleasure, and this is a show not to be missed. See you there!

http://www.broadwayworld.com/cabaret/article/Broadways-George-Marcy-and-Carol-Lawrence-Team-Up-for-New-Cabaret-Show-at-Dont-Tell-Mama-923-29-20130916



JULIAN PO Website is Live

The Website is LIVE!  — www.JulianPoTheMusical.com

2013 NYMF  in NYC

JULIAN PO

Julian Po Dates



JULIAN PO – An NYMF Opener

Congratulations to Andrew Barrett, my friend and long-time client, whose musical JULIAN PO (co-written with composer Ira Antelis) has been selected as an opener for the 10th annual New York Musical Theatre Festival on July 8th. Congratulations, Andrew and Ira!

JULIAN PO

Five performances only:

1. Monday July 8th at 7pm
2. Wednesday July 10th at 9pm
3 & 4. Saturday July 13th at 5pm and 9pm
5. Sunday July 14th at 5pm

Julian Po
Book and Lyrics by
Andrew Barrett
Music by Ira Antelis
Based on the book “La mort de monsieur Golouja” by Branimir Šćepanović
and the screenplay “Julian Po” by Alan Wade

Julian Po is about a mysterious man who is determined to end his life at the sea, until he finds himself stuck in the smallest, strangest town in middle America. While waiting for a connecting train, he makes friendships that start to sway him from his mission, with repercussions no one anticipated. This darkly humorous modern day myth is set to the quintessentially American sounds of pop, rock and bluegrass.

National Music Theater Network. Now entering its tenth year, The New York Musical Theatre Festival (NYMF) exists to “revitalize musical theatre culture by discovering and promoting new musical theatre artists, producers and projects; nurturing a vibrant and innovative artistic community; and connecting one of America’s greatest art forms with a diverse, contemporary audience.”

For more information, visit NYMF.org.



THE PERILS OF OBEDIENCE

Here’s the newest offering from director Niegel Smith, one of my Talfs (Theatre Artists I Love to Follow). He is teaming up with visual artist Itziar Barrio, who was born in Bilbao, Spain, and works in New York City.

March 29, 30 | 8pm
Tickets $10, available at www.abronsartscenter.org

The Abrons Arts Center is proud to present Casting THE PERILS OF OBEDIENCE: A Performance, the second stage of visual artist Itziar Barrio’s exploration in power dynamics and constructed situations. Using the methods of casting, the performance will unfold the wills and desires of the actors to succeed and be recognized. By placing them within fictional and non-fictional parameters, whether movie scripts or their own lives, Barrio reveals the production of power through seduction.

Following an open call, actors will audition for four full days with theater director Niegel Smith and will undergo a selection process. Open to the public only during the two final days of callbacks the entire process will be recorded and included in a resulting video piece. Exploring simultaneously the limits and in betweens of theater, film and performance art, the live recording emphasizes the experience that is being created by actors and audience.

The four selected actors will eventually be part of the next phase of THE PERILS OF OBEDIENCE, consisting of building a scene in real time. The first stage of the project was carried out in Spain during BAD, Bilbao Theater and Contemporary Dance Festival in 2010.

The fine line between the persona and the character finds its mirror in the audience, who executes its silent power by being present. Their presence implies a voyeuristic disposition and it functions to unveil the group dynamics and the negotiation of social roles and rules.

Pushing the actors to reveal their limits on stage, underlining the narratives present in any situation the performance frames an experience where conventions are decoded, contemporary fears of domination are confronted, and exhibitionism and social acceptability are critically examined.

THE PERILS OF OBEDIENCE is inspired by Stanley Milgram’s psychological experiments which began in 1961, a few months after the trial of the Nazi Adolf Eichmann. Milgram wished to test how much pain a person would inflict on another simply because this was asked of them for the purposes of a scientific experiment. As Hannah Arendt reminds us that “under conditions of tyranny it is far easier to act than to think”. Barrio analyzes how obedience to a higher authority, even in democracy, can lead to extreme consequences and can involve large numbers of the population.

“…Itziar Barrio is interested in realities and in showing their limitations and ambiguities as truth, through analysis of their forms of representation. So, art, film, television, the performing arts and the Internet take the floor as work tools and objects for experimentation and analysis. Her interest not only lies in the story that upholds the realities but in its recreations, its techniques for showing them or fictionalizing them.”
From the text of the Catalogue LOS PELIGROS DE LA OBEDIENCIA (-1) by Maria Mur Dean, Director of the Art Producer Organization Consonni (Bilbao)

Itziar Barrio was born in Bilbao and lives and works in New York City. Her work has been presented, among other venues, at: ENPAP (European Network for Public Art Producers), ARTIUM Museum (Vitoria), Hudson Valley Center for Contemporary Art (New York), New Museum Festival of Ideas for the New City (New York), Havana Biennial (Cuba), White Box (New York), Cervantes Institute (New York), International Festival Postelectronic Art (Italy), Pist Space (Istanbul), Art for Art`s Sake (Bologna), Gdansk Academy of Arts (Poland), Loop (Barcelona), Sala Rekalde (Bilbao) and Thomas Henry Ross Galerie (Montreal). Barrio has been awarded among others with the First Prize Ertibil (Basque Government), and by Brooklyn Art Council, Spanish Ministry of Culture, the New York City Department of Cultural Affairs, and the New York Foundation for the Arts. She has attended a number of residencies including Skowhegan School of Painting and Sculpture and The International Studio and Curatorial Program (ISCP).

Casting THE PERILS OF OBEDIENCE: A Performance is a recipient of NYFA’s Emergency Relief Fund Grant and sponsored by Etxepare Basque Institute.



“What I’m Dreamin’ Of” from JULIA PO

Here’s a terrific song from Andrew Barrett and Ira Antelis’ musical JULIAN PO.

Hunky Bobby the barber is newly married, but dreams of something bigger. Take a listen: http://snd.sc/ZN4ruJ

Julian po photo

https://www.facebook.com/JulianPoNYMF



JULIAN PO at NYMF

Congratulations to Andrew Barrett, one of my TALFs (Theatre Artists I Love to Follow) and his writing partner, the composer Ira Antelis, whose musical JULIAN PO has been chosen for the New York Musical Theatre Festival’s 2013 Next Link Project. This project is NYMF’s primary writer service program. Titles will be seen at the tenth annual New York Musical Theatre Festival, which will run July 8-28 in New York City.

The Next Link Project, according to NYMF, “empowers emerging musical theatre writing teams as both artists and entrepreneurs by providing the training and relationships needed to help them move their musicals from readings to fully-realized productions and to advance their careers by maximizing the exposure they receive in the Festival. Ten of the Festival’s full production slots are reserved for participants in The Next Link Project.”

Participants attend a special weekend-long symposium, featuring seminars on fundraising, marketing, industry outreach and self-producing, led by industry professionals. The writing teams are introduced to potential collaborators, supporters and producers, and receive dramaturgical support from professional literary managers and dramaturgs. Finally, each Next Link show receives financial support in the form of a $5,000 subsidy toward its production in the Festival.

Julian Po
Book and Lyrics by Andrew Barrett
Music by Ira Antelis
Based on the book “La mort de monsieur Golouja” by Branimir Šćepanović
and the screenplay “Julian Po” by Alan Wade
“Julian Po is determined to end his life at sea, but he finds himself stuck in the smallest, strangest town in Middle America. While waiting for a connecting train, Julian makes friendships that start to sway him from his mission, with repercussions no one anticipated. This darkly comic tale is led by four modern-day muses and set to the quintessentially American sounds of pop, rock and bluegrass.”