Anne Hamilton/Hamilton Dramaturgy


Today at 1pm – DON’T FEED THE INDIANS by Murielle Borst Tarrant

La MaMa Presents Urban Indigenous Arts & Culture Symposium

“Don’t Feed the Indians” –

A Divine Comedy Pageant

Friday November 14, 2014 at 1:00 PM

To see this performance Live on your computer

CLICK HERE: www.culturehub.org/live

Please stay tuned afterward with a discussion with the cast

Watch out when Indian show business meets the Doctrine of Discovery. A raucous play and political satire loosely based on Dante’s Inferno. A comedic look at the negative marginalization of Indigenous Peoples and the appropriation of Indigenous cultural and intellectual property. See what happens when the Indians push back.

Directed and written by:

Murielle Borst-Tarrant (Kuna/Rappahannock), Director “Safe Harbors”

Indigenous Arts/Theater Collective at La MaMa Theatre.

Cast:

Danielle Soames
(Mohawk Kahnawake)

Nic Billey
(Choctaw, Creek, Delaware)

Elizabeth Rolston
(Cherokee, Chippewa)

Murielle Borst-Tarrant
(Kuna Rappahanock)

Henu Josephine Tarrant
(Kuna, Rappahanock, Hopi, Hochunk)

Kevin Tarrant
(Hopi, Hochunk)

Crew:

Choreographer – Nic Billey

Musical Design- Branden Tubby (Choctaw )

Scribe and Production Consultant- Timothy Dorsey

Musical Director- Kevin Tarrant

Costume/set design- Maggie Rice (Pawnee)

Piano and Historical Musical Design- Elizabeth Thunder Bird Haile (Shinnecock) and The Shinnecock Nation Cultural Center and Museum

Production Apprentice- Kimberly Terrance (Mohawk Akwesasne)

Additional Writings:

Danielle Soames

Nic Billey

Henu Josephine Tarrant

Elizabeth Rolston

Tonya Gonnella Frichner based on her preliminary report on the Doctrine of Discovery

La MaMa Theatre in collaboration with the Weesageechak Begins to Dance Festival, Native Earth Performing Arts and First Peoples Fund and the Ford Foundation through a grant from the FPF Our Nations Spaces Program.

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TheatreNow! Interview with Murielle Borst Tarrant

Hamilton Dramaturgy’s TheatreNow! is a podcast series featuring some of the most exciting women artists working in the theatre today. Anne Hamilton is the producer and host. You may listen to the podcasts and read the transcripts at http://hamiltondramaturgystheatrenow.com

 Murielle Borst Tarrant

Hamilton Dramaturgy’s TheatreNow!

Interview with Murielle Borst Tarrant

Playwright, Director and Producer

(Season 3, Episode 5, Recorded July 12, 2012)

Hamilton Dramaturgy’s TheatreNow! Interview with Murielle Borst Tarrant

 Anne Hamilton: Welcome to Hamilton Dramaturgy’s TheatreNow! This is a podcast series featuring some of the most exciting female artists working in the theatre today. I’m your host, Anne Hamilton. Today our guest is Murielle Borst Tarrant.

Murielle is a member of the Kuna and Rappahannock Nations. She is an author, playwright, director, producer, cultural artist, educator, and human rights activist. She comes from a long line of cultural activism with her family’s theater company, the world famous Spiderwoman Theater, located in New York City. For four years she served as the Special Assistant and liaison to Tonya Gonnella Frichner, the North American Regional representative to the United Nations Permanent Forum on Indigenous Issues. Finally, she is the director of “Safe Harbors” Indigenous Arts/Theatre Collective at La Mama ETC.

Hamilton Dramaturgy’s TheatreNow! is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of Hamilton Dramaturgy’s TheatreNow! must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

 



breaking walls at the EstroGenius Festival

 

Congratulations to TheatreNow! guest Fran Tarr, who continues to create theatre all over the world.  She has just returned from a working trip to South Africa. A theatre piece written by her young female collaborators with will appear in the EstroGenius Festival this month.

WOMEN SPEAK WORLD LISTEN October 31 2014 nyc

A message from Fran Tarr:

Our Young Women Artists & The EstroGenius Play Festival

An amazing opportunity to showcase the writing and performing talents of our young breaking walls women is happening at the renowned EstroGenius Play Festival on October 31st from 7:00pm to 8:30pm!!!

WOMEN SPEAK/WORLD LISTEN is a one-night theater event written by our young breaking walls women from Brooklyn, Bethlehem, Berlin and Cape Town and will be performed by Helen Beyene, Sofie Walker, Lexie Tompkins, Geri Nikole Love, Maggie Borlando and Margy Love under the direction of Chivonne Michelle.

All proceeds will support our breaking walls 2015 Barcelona initiative – so bring a friend or two, and if you will not be able to join us, please consider making a contribution via EventBrite. Tickets are $25.00 online and $30 (cash only) at the door.

Click here to purchase:



TheatreNow! Season Four – Dramaturgs and Critics

The TheatreNow! Archive is currently a work-in-progress and will feature all the Season Three’s podcasts in the upcoming month.

2014 has been a building year. We have expanded our staff with the addition of Danica Rodriguez and Thais Flaitt Giannoccaro. Our global outreach has increased with representatives in the US, UK, Asia, and South America, and we have plans to translate our interviews into Korean and Portuguese. We also have a Young Adult Representative to help us build more interest in the theatre profession, especially among young women.

Season Four will be dedicated to creating an oral history of six leading dramaturgs and theatre critics active on the American scene, with specialties in new play development, new musical development, dance, opera, women’s studies, journalism, and cultural criticism . In the interviews, I will explore questions such as: How can we take advantage of advances in technology to push the dramaturgical profession forward? How have others done so? Do leading practitioners in the arts of dramaturgy and theatre criticism have anything in common? What is it? How can I expand my own practice to become an independent curator, journalist and advocate in a meaningful way? How can I advance the gender parity movement among theatre artists? How can I add content to the current movement for archiving theatre artists’ and companies’ works? How can I help the public to meet and recognize female theatrical experts across all disciplines? And, How can I use my dramaturgical skills and access to help young adults become interested in pursuing any of the theatrical professions?

Staff List

Anne Hamilton, Producer and Host
Otto Bost, Sound Designer
Cate Cammarata, US Representative
Walter Byongsok Chon, Asia Representative
Natalie Pandya, UK Representative
Danica Rodriguez, Young Adult Representative
Thais Flaitt Giannoccaro, South America Representative
Nancy Ford, Composer, TheatreNow! Theme
Helaine Gawlica, Digital Archivist and Website Creator

http://hamiltondramaturgystheatrenow.com

 https://soundcloud.com/theatrenow-1



THE DRAMATIST Magazine – Quiara Alegria Hudes on Subject

THE DRAMATIST - Quiara Alegria Hudes on Subject

Congratulations to Hamilton Dramaturgy’s TheatreNow!’s Inaugural Podcast guest Quiara Alegria Hudes. She leads off the cover story of this month’s THE DRAMATIST magazine with an article on “Subject”.



Chon and Cammarata Join Hamilton Dramaturgy Staff

Hamilton Dramaturgy has expanded its staff by appointing Walter Byongsok Chon as Associate Dramaturg, and Cate Cammarata as Assistant Dramaturg. Both artists have made significant contributions to the company and its projects, performances and programming for the last two years, leading to their official appointment. Their contract is non-exclusive, and the dramaturgs will continue to develop their careers fully with many other organizations and artists. Hamilton Dramaturgy wiill be able to offer more expertise to serve all the needs of its growing client list. Welcome, Walter and Cate!

BIOS

Walter Byongsok Chon is a doctor of fine arts candidate at the Yale School of Drama, where he is writing his dissertation, “Behind Romantic Irony: How 18th-Century English Self-Reflective Satire Anticipated a New German Drama.” He received his MFA in Dramaturgy and Dramatic Criticism from Yale School of Drama, where he was production dramaturg on Yale Rep’s Rough Crossing and Eclipsed and several YSD and Yale Cabaret productions. His other accomplishments include new play development (Eugene O’Neill Theatre Center, The Great Plains Theater Conference), translation (Serpent At My Thigh, Inching Towards Yeolha, from Korean into English; Charles Mee’s True Love from English to Korean), conference presentation (ATHE, PTRS), and publication of his articles in Praxis, Theater, The Korean National Theatre Magazine, and The Korean Theatre Review, among others. Walter holds a BA in English from Sungkyunkwan University, and an MA in theatre studies from Washington University in St. Louis. He recently served as Artistic Coordinator at the Yale Repertory Theatre.

Cate Cammarata is a Producer, Director and Dramaturg, and is also an Adjunct Professor at SUNY Stony Brook.  She is the Literary Manager for Theater Resources Unlimited (TRU) and Jana Robbins Productions, and is in development with MY LIFE IS A MUSICAL as an Associate Producer.  Cate has previously worked with the HERE Arts Center, The Active Theater, Hamilton Dramaturgy, Hamilton Dramaturgy’s TheatreNow!, Hughes/Moss Casting, Syracuse Stage, the Emelin Theater, and the John W. Engeman Theater in Northport, Long Island.  She holds a MFA in Dramaturgy from SUNY Stony Brook and a BFA in Acting/Directing from Syracuse University, and is a graduate of the Commercial Theater Institute.

Hamilton Dramaturgy is an international consultancy based in New York City. It was founded in 1991 by Anne Hamilton, who holds an MFA from Columbia University of the Arts. The company’s clients have gone on to win the Pulitzer Prize, the MacArthur “Genius” Award, the Tony ® Award, and a Royal Court International Residency. Selected client list: Andrei Serban, the Joseph Papp Public Theater, the Harold Prince Musical Theatre Institute, Michael Mayer, Lynn Nottage, and Classic Stage Company. Hamilton produces and hosts Hamilton Dramaturgy’s TheatreNow!, a podcast series featuring some of the most important contemporary female theatre artists working in America. http://hamiltondramaturgystheatrenow.com, http://www.hamiltonlit.com, hamiltonlit@ hotmail.com.



Yvette Heyliger on the Artist as Activist

Here is a new HowlRound article by TheatreNow! Season One guest Yvette Heyliger.

Excerpt: “Artists are the gate keepers of truth. We are civilization’s radical voice.” so said singer, actor, social activist, lawyer and athlete, the great Paul Robeson. Robeson may not have been the first, but he was certainly one of the most outspoken citizen-artists of his day, choosing to set aside his theatrical career to become politically involved—fighting for the causes he believed in, even though it meant his own financial ruin.

What makes a human being, against his own “best interests,” fight for those less fortunate, for the voiceless and the downtrodden?

– See more at: http://howlround.com/artist-as-activist-civilization%E2%80%99s-radical-voice#sthash.ijwCZ3oF.dpuf