Anne Hamilton/Hamilton Dramaturgy


TheatreNow! Expands in 2013

2013 was a year in which I worked on building TheatreNow!’s platform.

We have expanded internationally as well as in the U.S., and now have Representatives for many areas:

US Representative: Cate Cammarata
Asia Representative: Walter Byongsok Chon
UK Representative: Natalie Pandya
South America Representative: Thais Flaitt
Young Audience Development Representative: Danica Rodriguez

In April, Natalie, a recent Oxford University graduate (St. Catherine’s College), corresponded with leading UK universities and conservatories about the podcast, laying the groundwork for greater dissemination there. Natalie now works for the BBC.

During the summer, Danica, a rising senior at the prestigious Little Red School House and Elisabeth Irwin High School in Manhattan, created a proposal for introducing the podcast to young adults and theatre aficionados.

In December, I invited Thais Flaitt, a recent M.A. graduate of the University of Nebraska Omaha, to serve as our South America representative. A native of Brazil, Thais is a skilled scholar, director, and translator.

Several hundred people have listened to the audio postings on the Soundcloud site. In addition, the TheatreNow! blog (http://theatrenow.wordpress.com) drew visitors from 57 countries, and the top podcasts viewed were with Paule Constable and Jennifer Tipton, lighting designers.

The TheatreNow! website (http://hamiltondramaturgystheatrenow.com) continues to attract many visitors. Helaine’s design and archiving expertise show off the podcasts well.

2014 will bring an expansion of the program, and a posting of new podcasts, including Maria Alexandria Beech, Murielle Borst Tarrant, and Judith Malina, to complete Season Three.

Thank you for all your support and I am looking forward to expanding the program in 2014.

Hamilton Dramaturgy’s TheatreNow! is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of Hamilton Dramaturgy’s TheatreNow! must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.



Yvette Heyliger on the Artist as Activist

Here is a new HowlRound article by TheatreNow! Season One guest Yvette Heyliger.

Excerpt: “Artists are the gate keepers of truth. We are civilization’s radical voice.” so said singer, actor, social activist, lawyer and athlete, the great Paul Robeson. Robeson may not have been the first, but he was certainly one of the most outspoken citizen-artists of his day, choosing to set aside his theatrical career to become politically involved—fighting for the causes he believed in, even though it meant his own financial ruin.

What makes a human being, against his own “best interests,” fight for those less fortunate, for the voiceless and the downtrodden?

– See more at: http://howlround.com/artist-as-activist-civilization%E2%80%99s-radical-voice#sthash.ijwCZ3oF.dpuf



BCWJ Article – ON HER SHOULDERS in NYC

Here is my latest Page & Stage column from the Bucks County Women’s Journal (June/July).

On Her Shoulders in New York City

By Anne M. Hamilton, MFA

My respected colleague Susan Jonas, the founder/ director of The Legacy Projects, is also a co-founder of 50/50 in 2020. In recent years she has made pursuing gender parity in theatre her life’s work, and her success continues to grow.

Her newest endeavor is On Her Shoulders, a series of staged readings of plays by women which will occur in Manhattan monthly through December, 2013. It’s a terrific new program which seeks to educate theatre professionals and the public about women’s plays which have been written over the course of ten centuries. The historical scope of the material, as well as the involvement of leading theatre specialists, is unprecedented.

On Monday, May 20th, the project will present Rachel Crothers’ controversial 1909 play, A MAN’S WORLD, directed by Melissa Crespo, and introduced by Jane Ann Crum. Other plays in the season include: Anna Cora Mowatt’s FASHION, Cicely Hamilton’s DIANA OF DOBSON’S, Shelagh Delaney’s A TASTE OF HONEY, Lorraine Hansberry’s LES BLANCS, Daphne Du Maurier’s THE YEARS BETWEEN, and Susanna Centlivre’s A BOLD STROKE FOR A WIFE.

Founded in 2012 by Andrea Lepcio (Playwright), Lillian Rodriguez (Performer), and Susan Jonas (Dramaturg/Scholar), the reading series is dedicated to, “‘re-loading the canon’ by familiarizing potential producers and audiences with a neglected legacy of plays– not by women playwrights– but by great playwrights.”

On Her Shoulders intends to restore their contribution to theatre history, the canon and the living repertory,” the founders assert on their website, which includes a curated list of significant plays by women.

The initiative encourages teachers to include plays by women on their syllabi, introduces students to monologues and scenes for acting and directing exercises, and invites literary managers and artistic directors to produce these plays on their stages. Its practical, multifaceted approach is unique because it provides the incentive to look at the plays as living works of art rather than just relegating them to history books.

The series will culminate in the publication of an anthology of the scripts staged for production with introductions by major scholars and theatre artists.

Admission is free, and seating is first come, first served, with RSVPs required. More information is available at http://onhershoulders.weebly.com/.

Anne Hamilton has 22 years of experience as an dramaturg. She is available for script consultations and career advising through hamiltonlit@hotmail.com. Season Three of Hamilton Dramaturgy’s TheatreNow! launched with an interview with Kate Valk, a leading actress with The Wooster Group.

You may download the article here: BCWJ Article on ON HER SHOULDERS by Anne Hamilton

 

 



THE GUARDIAN Posts Research on UK Women in Theatre

“Women in theatre: how the ‘2:1 problem’ breaks down”

How well are women represented in theatre? New research by the Guardian in collaboration with Elizabeth Freestone shows a mixed picture. Find the full research results here.

(Excerpt)

Shakespeare said that all the world’s a stage – but how well does the theatre really represent women?

New research by the Guardian, in collaboration with Elizabeth Freestone of Pentabus Theatre, shows that women are still badly under represented, with a persistent 2:1 male-to-female ratio.

The research, concentrating on the top 10 subsidised theatres for 2012-13, looked at female representation in a variety of areas from actors employed to the number of playwrights commissioned for the financial year 2011-12. Board of directors, chief executives and creative teams were also examined…

(c) The Guardian.



Cate Cammarata Named Dramaturgical Intern

I was so impressed with Cate Cammarata’s experience and talent that I brought her on board Hamilton Dramaturgy as a dramaturgical intern to help spread the word about TheatreNow! She will assist me in approaching women’s studies programs and organizations, as well as theatre departments in colleges and universities. She is creating a master document which we will use to promote TheatreNow!, my an oral history podcast series of female theatre artists. Welcome, Cate.