Anne Hamilton/Hamilton Dramaturgy


Testimonial from Kevin Lawler, GPTC

Anne has worked with GPTC playwrights for several years and has been lauded for her commitment, care and insight. She brings a great body of experience and a love of the theatre to every script that she works on.”

-Kevin Lawler, Artistic Director, Great Plains Theatre Conference, Omaha, Nebraska. USA.

GPTC 2015 IS SET FOR SATURDAY, MAY 23 – SATURDAY, MAY 30, 2015!



THE STACY PLAY on May 19th

THE STACY PLAY was given its first public staged reading on Saturday during a spectacular spring day in Central Park. Eleven audience members for each show followed Stacy to three locations as she shared her challenges, triumphs and hopes. It was an AEA-approved showcase with a limited audience in order to provide an intimate viewing experience.

The audience started at 67th Street and Fifth Avenue, continued up through The Mall, whose American elm trees provide a cathedral-like canopy, and ended up near the Bethesda Fountains where sounds of the splashing water mixed with that of violins played by park musicians.

Act One was staged on a rock promontory overlooking the fountain. The audience then moved into place  on a grassy plain overlooking the Lake filled with boaters for Act Two. Act Three was played in the safe haven of a grove of trees filled with sounds of birds and children playing, overlooking both the Fountain and the Lake. Dramaturg Walter Byongsok Chon led an audience talkback after the 2pm show.

Soraya Broukhim* starred as Stacy Lee Madison and Brent Wellington Barker III portrayed Jonathan, her dead love interest, in a story which brought the audience to such diverse locations as Paradise, the Upper West Side, Limbo, the Italian Riviera, Limbo, and the Womb. The actors gave passion and commitment to their roles, evidencing an onstage familiarity with one another which was developed as company members of The Living Theatre.

My Director’s Notes in the program detailed the origin of the piece, since starting out on a “deliberate journey of healing” three years ago, and Walter Byongsok Chon’s dramaturgical notes explain the form and content of the medieval pageant play and how it relates to THE STACY PLAY.

In response to the experience, New York playwright Robin Rice Lichtig comments, “When Stacy describes all the men she encountered in life, had experience with, then left behind… that works well with the audience actually physically moving along with her. It’s a sort of search, this journey — a search for the one true love she yearns to recapture. It’s interesting that she had that love early on in her life, yet she has to travel far to find it again in a different place…Birth and death are so close — both coming from and going to an unknown place which may be called “heaven.”

Many thanks to all to attended the staged readings. The 2pm performance was an official event of the League of Professional Theatre Women’s 30th Anniversary – “30 Plays in 30 Years”.

You may download the program here: THE STACY PLAY by Anne Hamilton Program May 19, 2012

*This Actor is appearing courtesy of Actors’ Equity Association.

The audience prepares to enter Central Park

Khenpo Tenzin Dargye, Anne Hamilton (Director and Playwright) and Maya Cantu

An official event of "30 Plays in 30 Years"

Deborah Savadge and friends with the LPTW Banner

THE STACY PLAY - A LOVE SONG - VOLUME I

Stephanie Wessels watches Soraya Broukhim as Stacy Lee Madison in Act One

THE STACY PLAY - A LOVE SONG - VOLUME I

Soraya Broukhim as Stacy, Brent Wellington Barker III as Jonathan, and Walter Byongsok Chon reading stage directions

THE STACY PLAY - A LOVE SONG - VOLUME I

Soraya Broukhim in Act One, Part II – AND THEN I WENT INSIDE

For more information about THE STACY PLAY, please email me at hamiltonlit@hotmail.com



Anne Taught Screenwriting/Playwriting Workshop at Philadelphia Writer’s Conference

I had the pleasure of teaching a scriptwriting workshop at the Philadelphia Writer’s Conference from June 3rd through 5th.  One of the nation’s oldest writing conferences, past instructors have included the great novelist Pearl S. Buck. Close to 200 participants attended. I taught three one-hour sessions to about 25 class members on topics including: dramatic elements, the dramatic form, developing character and storyline, differences in formatting between screenplays and stage plays, the writer’s life, cultivating self-expression, and myths and truths about professional writers. I gave the students several writing exercises in free form expression and writing taglines. I discussed the opening from the screenplay WINTER’S BONE to demonstrate characterization, diction, and tone. Class members read roles in a scene from a terrific comedy written by another participant, and I taught them how to give feedback in an appropriate and constructive manner.  Finally, I read two excerpts from my own work to illustrate the use of imagery and high dramatic stakes – the opening of AND THEN I WENT INSIDE, Part II of  THE STACY PLAY – A LOVE SONG – VOLUME I, and the monologue RED RIBBON TIE, which is part of ANOTHER WHITE SHIRT.

I will be looking for other opportunities to serve as a conference workshop leader. Thank you, PWC.

Here are testimonials from four of my students:

“I had the privilege of attending one of Anne Hamilton’s playwriting workshops at the 2011 Philadelphia Writer’s Conference. As an emerging playwright I found her workshop to be superbly instructive; submission formats and targets for submitting plays were particularly helpful. Her in-class writing exercises and prompts were excellent workshop fuel and her reading from her own piece about the 9/11 attacks was galvanizing. It’s good to know there is a resource like her out there as my portfolio of plays continues to evolve.”

-Lisa S. Lutwyche has a BFA in painting, a BA in Art History, and spent 28 years in corporate and residential architecture and design, teaching creative writing at a community arts center since 1992.  After attending AROHO (A Room of Her Own, a selective, bi-annual women’s writing retreat in New Mexico) in 2009, and a workshop there with playwright Ellen McLaughlin, Lisa started writing plays.  She had her first one-act play, THE FALL, produced in the 2010 Philadelphia Fringe Festival.  A poet, novelist, essayist and playwright, she is currently working on her MFA in Creative Writing through a low residency program at Goddard College in Vermont.

“Anne Hamilton provides an outstanding workshop for aspiring playwrights and screenwriters.  She speaks from a wealth of experience as a playwright and dramaturg and is able to impart her knowledge clearly and in a manner that is helpful to those on every level of proficiency.  Her handouts, which cover key elements of dramatic writing as well as formatting, are useful, plus she excels at establishing a warm, encouraging presence that infuses the insightful critiques of work submitted by members of the workshop.  I strongly recommend her.”

Diana Pazicky, Assistant Professor of English, Temple University

“Anne Hamilton’s recent Playwriting/Screenwriting Workshop at the 2011 Philadelphia Writer’s Conference was intriguing and informative. Her experience as a Dramaturge was put to good use in passing-on solid, technical information on Playwriting, together with “tricks-of-the trade” and some of her own powerful, inspirational writing.”

Nick Lutwyche has nearly 50 years of experience in military aviation engineering and operations,with 25 of those years in Royal Navy aviation including active service. He has had long time involvement in Community Theatre in the UK and the USA, which has helped preserve his sanity. His roles in many venues include  Actor/Back Stage/Front-of-House/Scenery/Construction/Trash-hauling/Lighting. One day he will write that play…

“I had the pleasure of taking Anne Hamilton’s screenwriting workshop at the Philadelphia Writers Conference. Ms. Hamilton offered a wonderful overview of techniques, examples of works and priceless information for breaking into the business. To be honest, I was on the fence as to whether or not I wanted to pursue screenwriting. However, Ms. Hamilton was so encouraging and inspiring that I applied to MFA programs that same day! Her workshop was truly an invaluable experience and easily my favorite of the three day conference.”

Porsha Addison, Aspiring Screenwriter/MFA Student