Anne Hamilton/Hamilton Dramaturgy


I WANT TO RUN AWAY WITH YOU Staged Reading

I am thrilled to announce the staged reading of my one-act play I WANT TO RUN AWAY WITH YOU. It is a part of the Dramatists Guild of America Friday Night Footlights series and will be held on Friday, December 16th from 6-7:30 pm in the Mary Rodgers Room at the Dramatists Guild of America, 1501 Broadway (between 43/44th Sts.), Ste. 701, New York, NY 10036. The staged reading is free. Seats are very limited. Please email me at hamiltonlit@hotmail.com to RSVP.

DECEMBER 16, 2016

“I WANT TO RUN AWAY WITH YOU”

BY

 ANNE HAMILTON

Anne Hamilton’s, “I Want To Run Away With You,”

is an absurdist Fable for our time.

In an East Coast psychiatrist’s office, secrets are revealed,

hearts’ desires are divulged and fulfillment

is offered by the most unexpected players.

“I WANT TO RUN AWAY WITH YOU”

DIRECTED BY
ELLEN BARBER

THE CAST IN SPEAKING ORDER

STAGE DIRECTIONS AND THE FATHER…………….MATTHEW SCHOLES

THE DOCTOR……………………………………………..DAVID KUBICKA*

CLAIRE……………………………………………………..ELLEN BARBER*

NORM………………………………………………………NICHOLAS SATTINGER*

*These Actors are appearing, courtesy of Actors‘ Equity Association.

PRINCIPAL STAGED READING DRAMATURGY BY ELLEN BARBER

ORIGINAL PROCESS DRAMATURGY BY WALTER BYONGSOK CHON

TIME ALLOWING, CONVERSATION IS INVITED WITH THE AUTHOR AFTER THE READING.



Anne Hamilton’s Article on 21st Century Freelance Dramaturgy in new international textbook

I am thrilled to announce the publication of my article, “Freelance dramaturgs in the twenty-first century: journalists, advocates, and curators” in the ROUTLEDGE COMPANION TO DRAMATURGY (ISBN: 978-0-415-65849-2,published on July 29, 2014), edited by  Magda Romanska. My chapter is the only one on freelance dramaturgy in the book.

The article details the creation and development of Hamilton Dramaturgy’s TheatreNow!, as well as other tools I have used to utilize technology, cultural interconnectedness, and entrepreneurship to expand the role of the dramaturg in the 21st century.

It appears as the 18th chapter of the book, in the Age of Globalization section. TheatreNow’s Asia Representative Walter Byongsok Chon also contributed a chapter in the same section, entitled, “Intercultural dramaturgy: dramaturg as cultural liaison”.

The volume is available at: http://www.routledge.com/books/details/9780415658492/?utm_source=cms&utm_medium=url&utm_campaign=SBU4_SJC_3RF_8cm_9PER_00000_HBK

THE ROUTLEDGE COMPANION TO DRAMATURGY Edited by Magda Romanska

 

 

 

 

 



Hamilton Dramaturgy Intensive Postponed

Due to unforeseen circumstances, the Hamilton Dramaturgy Intensive scheduled for October 19th and 20th has been postponed. We hope to be able to offer it sometime in the near future. If you would like to be placed on our mailing list for future workshops, please send a message to hamiltondramaturgyintensive@gmail.com.



Chon and Cammarata Join Hamilton Dramaturgy Staff

Hamilton Dramaturgy has expanded its staff by appointing Walter Byongsok Chon as Associate Dramaturg, and Cate Cammarata as Assistant Dramaturg. Both artists have made significant contributions to the company and its projects, performances and programming for the last two years, leading to their official appointment. Their contract is non-exclusive, and the dramaturgs will continue to develop their careers fully with many other organizations and artists. Hamilton Dramaturgy wiill be able to offer more expertise to serve all the needs of its growing client list. Welcome, Walter and Cate!

BIOS

Walter Byongsok Chon is a doctor of fine arts candidate at the Yale School of Drama, where he is writing his dissertation, “Behind Romantic Irony: How 18th-Century English Self-Reflective Satire Anticipated a New German Drama.” He received his MFA in Dramaturgy and Dramatic Criticism from Yale School of Drama, where he was production dramaturg on Yale Rep’s Rough Crossing and Eclipsed and several YSD and Yale Cabaret productions. His other accomplishments include new play development (Eugene O’Neill Theatre Center, The Great Plains Theater Conference), translation (Serpent At My Thigh, Inching Towards Yeolha, from Korean into English; Charles Mee’s True Love from English to Korean), conference presentation (ATHE, PTRS), and publication of his articles in Praxis, Theater, The Korean National Theatre Magazine, and The Korean Theatre Review, among others. Walter holds a BA in English from Sungkyunkwan University, and an MA in theatre studies from Washington University in St. Louis. He recently served as Artistic Coordinator at the Yale Repertory Theatre.

Cate Cammarata is a Producer, Director and Dramaturg, and is also an Adjunct Professor at SUNY Stony Brook.  She is the Literary Manager for Theater Resources Unlimited (TRU) and Jana Robbins Productions, and is in development with MY LIFE IS A MUSICAL as an Associate Producer.  Cate has previously worked with the HERE Arts Center, The Active Theater, Hamilton Dramaturgy, Hamilton Dramaturgy’s TheatreNow!, Hughes/Moss Casting, Syracuse Stage, the Emelin Theater, and the John W. Engeman Theater in Northport, Long Island.  She holds a MFA in Dramaturgy from SUNY Stony Brook and a BFA in Acting/Directing from Syracuse University, and is a graduate of the Commercial Theater Institute.

Hamilton Dramaturgy is an international consultancy based in New York City. It was founded in 1991 by Anne Hamilton, who holds an MFA from Columbia University of the Arts. The company’s clients have gone on to win the Pulitzer Prize, the MacArthur “Genius” Award, the Tony ® Award, and a Royal Court International Residency. Selected client list: Andrei Serban, the Joseph Papp Public Theater, the Harold Prince Musical Theatre Institute, Michael Mayer, Lynn Nottage, and Classic Stage Company. Hamilton produces and hosts Hamilton Dramaturgy’s TheatreNow!, a podcast series featuring some of the most important contemporary female theatre artists working in America. http://hamiltondramaturgystheatrenow.com, http://www.hamiltonlit.com, hamiltonlit@ hotmail.com.



Hamilton Dramaturgy Intensive in NYC October 19-20

(Please note: The intensive has been postponed. If you would like to be placed on our mailing list, please send an email to hamiltondramaturgyintensive@gmail.com)

 DRAMATURGY INTENSIVE – AN INTERACTIVE WORKSHOP

AUTHORS: WALTER BYONGSOK CHON AND ANNE HAMILTON

FOR ADVANCED UNDERGRADS, GRADUATE STUDENTS, AND THEATRE PROFESSIONALS

Saturday, October 19, 9am-5pm

Sunday, October 20, 10am – 5pm

a Studio in New York City, Location TBA

Features: 10 hours of instruction and exercises, discussion of 2 essays and 5 plays, and a maximum of 15 participants.

Cost: $350. Contact: Anne Hamilton at hamiltondramaturgyintensive@gmail.com

Register: Hamilton Dramaturgy Intensive Flier – October 19-20, 2013

Dramaturgy is a creative practice that, through critical thinking, enhances the breadth and depth of artistic imagination.  Dramaturgy is an integral process to the origination, development, production, and reception of plays and theatrical performances.”  – Walter Byongsok Chon

This workshop is designed to familiarize the participants with the term “dramaturgy,” to enhance their understanding and appreciation of dramaturgy as a practice and a profession, and to provide them with the essential tools to practice dramaturgy.   We will examine dramaturgy in its various functions and explore the role of the dramaturg in relation to the play text, the playwright, the artistic team, the theatre, the audience, and the community as a whole, both professional and public.  Through extended discussions and practical exercises, this workshop will help develop an understanding of dramaturgy as a process integral to the creation, development, production, and reception of plays and theatrical performances.

Syllabus: Introduction to Dramaturgy; How to Read a Play: Reading with a Dramaturgical Sensibility; Dramaturgy Practicum and Case Studies – Overview; Case Study I and II; Dramaturgy Practicum III and IV; Daring Dramaturgies in Practice and New Voices in American Theatre; Resources for Dramaturgs and Playwrights.

Anne Hamilton is the Founder of Hamilton Dramaturgy, an international consultancy based in New York City’s professional scene. With 22 years of experience, her clients have gone on to win the Pulitzer Prize, the MacArthur “Genius” Award, the Tony  Award, and a Royal Court International Residency. STAGE DIRECTIONS magazine named her a “trailblazer” in American dramaturgy. She holds an MFA in theatre criticism and dramaturgy from Columbia University of the Arts, and was a Bogliasco Foundation Fellow. She hosts and produces TheatreNow!, an oral history podcast series on female theatre artists.

Walter Byongsok Chon is a doctor of fine arts candidate at the Yale School of Drama, where he has served as a Dramaturg and the Artistic Coordinator at the Yale Repertory Theatre as well as several YSD and Yale Cabaret productions. He has developed new plays at the Eugene O’Neill Theatre Center and The Great Plains Theater Conference. His other specialties include translation (Serpent At My Thigh, Inching Towards Yeolha, from Korean into English; Charles Mee’s True Love from English to Korean), conference presentations (ATHE, PTRS), and publications of his articles in Praxis, Theater, The Korean National Theatre Magazine, and The Korean Theatre Review. Walter holds a BA in English from Sungkyunkwan University, an MA in theatre studies from Washington University in St. Louis, and an MFA from the Yale School of Drama. He is an Associate Dramaturg at Hamilton Dramaturgy.

Many thanks to Dr. Cindy Melby Phaneuf, who commissioned Walter Byongsok Chon to create this Dramaturgy Intensive for its first presentation at the University of Nebraska Omaha in May, 2013.

Please send an email, and we will send more information.

Payment: $100 is due to register. The remaining $250 must be paid by October 11th, 2013, or the deposit will be forfeited

Payment must be made by PayPal. We will send PayPal invoices by email.

  • The Dramaturgy Intensive is available for two-day workshops at colleges and universities. Please send an inquiry.
  • If you are located somewhere else in the world and are interested in the Intensive, please send an email indicating your interest and we will attempt to create an online program.
  • We are able to present the Dramaturgy Intensive in additional American cities.

Download the Registration form here: Hamilton Dramaturgy Intensive Flier – October 19-20, 2013

PLEASE EMAIL THIS REGISTRATION FORM TO hamiltondramaturgyintensive@gmail.com

and you will receive an invoice by email.

@AnneHamiltonlit       #hamiltondramaturgyintensive



Great Plains Theatre Conference 2013

I just returned from ten days in Omaha, Nebraska, where I participated as a workshop leader for a Dramaturgy Intensive at the University of Nebraska-Omaha, and gave dramaturgical feedback to ten playwrights whose works were given readings at the Great Plains Theatre Conference.

Walter Byongsok Chon designed the intensive, which was one offering included in a month-long course offered by Dr. Cindy Phanuef. He gave six lectures, and Heather Helinsky and I led one workshop each.

It was my second year as a dramaturgical respondent at the GPTC, and my first as a workshop leader at UNO. The plays and playwrights were absolutely terrific. I also enjoyed spending time with other Guest Artists such as Constance Congdon, Mac Wellman, Ruth Margraff, Kate Snodgrass, Elena Araoz, Justin Townsend, and Eliza Bent. Many thanks to Artistic Director Kevin Lawler for inviting me to participate again.

Here are the plays I was privileged to work on:

PlayLab Readings

Penny  Gets Bit by Molly Welsh

The  Singularity by Crystal Jackson

Ganglia:  Instructions for the Symbiogenesis by Peter Roth

Daughter by Elana Gartner

Silueta by  Diana Burbano, Christopher Shelton, Tom Shelton

Neverland  Industries by Danny Carroll

Irreversible by Jack Karp

Madame  Ho by Eugenie Chan

MainStage  Readings

William  & Judith by Cody Daigle

Mai  Dang Lao by  David Jacobi

Many congratulations to all of the playwrights, and best wishes for the continued development of their new work.



Dramaturgy Intensive in Omaha

On May 23rd and 24th I’ll be joining UNO Professor of Theatre Cindy Melby Phaneuf, Walter Byongsok Chon and Heather Helinksy in teaching a dramaturgy intensive at the University of Nebraska in Omaha. I met Cindy last May while I was serving as a dramaturg at the Great Plains Theatre Conference. She has put together a terrific intensive workshop, which will be led primarily by Walter. I will teach a section on dramaturging classics, using Carolyn Balducci’s adaptation of LYSISTRATA as a text.

This intensive is open to University of Nebraska – Omaha students only. If you are interested in the topic, please contact me at hamiltonlit@hotmail.com, and I will try to accommodate you in the future.

Attached is information on a 2 day intensive part of this summer’s offering for undergraduate and graduate students through the department of Theatre.  There will be 3 professional dramaturgs with MFAs from Yale, Columbia, and Harvard teaching this class with me.  We will meet for 2 intensive days on May 23 and 24—and then the students will participate in the Great Plains Theatre Conference for one day during the week following to see dramaturgs in action.  If a student can find 3 days in May—they can take advantage of this exciting learning opportunity.  The course is THEA 8000 for 3 credit hours—and beyond the days in May—the course will be completed as an independent project.

Questions—email cphaneuf@unomaha.edu or call Dr. Cindy Melby Phaneuf, 402.554.2552